by Chris Barton ; illustrated by Don Tate ‧ RELEASE DATE: May 3, 2016
A delightfully child-friendly and painfully necessary diversification of the science field.
A tinkering African-American boy grows up to become the inventor of a very popular toy.
Lonnie Johnson always tinkered with something. As a kid, he built rockets and launched them in the park amid a crowd of friends. (He even made the rocket’s fuel, which once caught fire in the kitchen. Oops.) As an adult he worked for NASA and helped to power the spacecraft Galileo as it explored Jupiter. But nothing is as memorable in the minds of kids as his most famous invention (to date): the Super-Soaker. While testing out a new cooling method for refrigerators, Johnson accidentally sprayed his entire bathroom, and the idea was born. However, the high-powered water gun was not an instant success. Barton shows the tenacity and dedication (and, sometimes, plain good timing) needed to prove ideas. From the initial blast of water that splashes the word “WHOOSH” across the page (and many pages after) to the gatefold that transforms into the Larami toy executives’ (tellingly, mostly white) reactions—“WOW!”—Tate plays up the pressurized-water imagery to the hilt. In a thoughtful author’s note, Barton explains how Johnson challenges the stereotypical white, Einstein-like vision of a scientist.
A delightfully child-friendly and painfully necessary diversification of the science field. (Picture book/biography. 4-8)Pub Date: May 3, 2016
ISBN: 978-1-58089-297-1
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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by Alice Hemming ; illustrated by Nicola Slater ‧ RELEASE DATE: July 28, 2026
More fun antics to satisfy returning fans and snag new ones.
Not even the arrival of autumn can cool down this impetuous squirrel.
Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.
More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)Pub Date: July 28, 2026
ISBN: 9781464268076
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 11, 2026
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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