Another that may be in the Oprah mode, a tale of family torment. But Oprah’s picks as a rule have literary merit, and this...
It sounds like a TV movie of the week, but Bohjalian’s eighth novel, among them the Oprah-picked Midwives (1997), works hard and pretty successfully to transcend the hackneyed scenario of parents adopting a child after losing their own.
After a sudden flood kills the daughters of Laura and Terry Sheldon, a highway patrolman and his wife, they struggle for two years to cope with the loss. Finally Laura, unable to have more children, persuades her husband to take in a foster child. And so Albert arrives, a ten-year-old African-American boy—this in an all-white rural Vermont town. Neither a child from hell nor a particularly lovable one, Albert has endured the routine cruelties of the foster care system, and he enters the family with little hope of change. Although he’s the only African-American in town, however, he suffers surprisingly little overt racism. But plenty of insensitivity. “I am completely color-blind,” announces his teacher proudly. “I treat all my students as if they were white.” His classmates tolerate him, but their schoolboy cliques remain closed. Yearning for friendship, he finds it in an elderly neighbor, a retired teacher who allows him to care for his horse and teaches him about the buffalo soldiers, black cavalry who served in the American west after the Civil War. The story would be half its length but for stepfather Terry’s one-night stand with a young woman who becomes pregnant. Although she’s not willing to break up his marriage, Terry finds himself yearning for a child of his own, and their affair resumes. Devastated when she learns of it, Laura demands that he move out. He does, but the crisis is resolved and the marriage endures.
Another that may be in the Oprah mode, a tale of family torment. But Oprah’s picks as a rule have literary merit, and this is no exception. Despite a conventional plot, Bohjalian’s characters ring true, and he writes with insight and feeling.Pub Date: March 1, 2001
ISBN: 0-609-60833-9
Page Count: 432
Publisher: Shaye Areheart/Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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