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BEAUTIFULLY UNIQUE SPARKLEPONIES

Name: BEAUTIFULLY UNIQUE SPARKLEPONIES
Author: Chris Kluwe
ISBN: 978-0-316-23677-5

ON MYTHS, MORONS, FREE SPEECH, FOOTBALL, AND ASSORTED ABSURDITIES

by Chris Kluwe ‧ RELEASE DATE: June 25, 2013

An intriguing assortment of work from an athlete with a lot on his mind.

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NFL punter Kluwe riffs on everything from social justice to dinosaur obsessions in a lively collection of stories, essays, letters and poems.

Those who’ve never watched Kluwe attempt to boot his team out of trouble on fourth and long are still probably familiar with his much-talked-about support of same-sex marriage. Marriage equality, however, is just a thin slice of what the avid video gamer, rock-’n’-roll bassist and Kurt Vonnegut devotee has percolating inside his contemplative mind. Much of it, like when he imagines a “sportsball” showdown between the “Lustful Cockmonsters” and the “Beautifully Unique Sparkleponies,” has comedic value. Kluwe can’t help but dispatch a few politicians and other assorted close-minded pontificators as “douchebags,” but he spends a lot more time pondering other things, like paradoxical time traveling and mankind’s penchant for self-annihilation. In mixing the profane with the prophetic while using a variety of literary devices, the author succeeds at being both entertaining and enlightening. Haters can forget trying to paint Kluwe as some kind of loudmouth who doesn’t spend enough time thinking about his day job. At least two entries—one painstakingly detailing the intricate process of successfully punting a football downfield while a phalanx of world-class juggernauts hurl their cinder-block bodies at him and another creatively cataloging the variety of painful injuries he has sustained over his long football career—clearly attest to his dedication to gridiron greatness. Football concerns Kluwe, but so do a lot of other things—including being a good parent. “Never be ashamed of who you are. I’m a nerd who plays football,” he cheerfully advises his kids. The advice is empowering and displays the author’s overarching belief in empathy and reason.

An intriguing assortment of work from an athlete with a lot on his mind.

Pub Date: June 25, 2013

ISBN: 978-0-316-23677-5

Page Count: 272

Publisher: Little, Brown

Review Posted Online: May 25, 2013

Kirkus Reviews Issue: June 15, 2013

Categories:

GENERAL NONFICTION

- PROFILES
And Here’s the Kicker…

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.