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ISLAND OF THE SEQUINED LOVE NUN

Another farce about feckless mortals exploited by sarcastic supernaturals—all for a good cause—from Moore (Bloodsucking Fiends, 1995, etc.). Corporate jet pilot Tucker Case, ``a geek in a cool guy's body,'' gets into trouble when, after downing seven gin-and-tonics, he agrees to take a prostitute on a quick trip to the stratosphere for some ``mile-high'' cockpit sex, only to lose control of the jet while making his final approach. A strange flight-suited fellow appears in the copilot's seat, helps Tuck (and his passenger) survive the crash, and vanishes. Case wakes up in a hospital bed to find himself a tabloid celebrity, and unemployed. The hapless Case gets a job offer from Dr. Sebastian Curtis, a missionary physician who wants Case to pilot his island-hopping jet, currently based on the fictional Micronesian island of Alualu. During an error-prone odyssey across the Pacific, Case meets a variety of chatty, smart-alecky island denizens, including a transvestite navigator with a pet bat who takes him over shark-infested waters in an open scow right into a typhoon. Case washes up half dead on Alualu to find that its primitive, former cannibal inhabitants, who call themselves the Shark People, have been enslaved by a silly cargo cult involving Dr. Curtis and his trashy sexpot wife (the sequined love nun of the title), who are selling the organs of Shark People sacrificed to the Sky Priestess to a Japanese firm. His ghostly copilot returns, revealing himself to be a divinity (more or less), and charges Case with saving the Shark People, which he does with ingenuity and hilarious, if graceless, aplomb. A lightweight traipse on the gross side of paradise, packed with sick jokes, intentionally hokey dialogue, shameless parodies of Hamlet, the bibical book of Exodus, organized religion, and WW II flyboy movies. The best yet from Moore. (First printing of 35,000)

Pub Date: Aug. 1, 1997

ISBN: 0-380-97505-X

Page Count: 304

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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