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INFINITE SKY

Readers who don’t need endings tied up with tight little bows will find much to think about here.

Tragedy emerges from the commonplace miseries of everyday life in this evocative mood piece.

Thirteen-year-old Iris lives with her dad and older brother, Sam, in rural England. Until recently, Iris and Sam had a mum as well, but she’s taken off to Tunisia on a mission to find herself. Now Sam’s associating with ruffians, Dad’s taken to drinking, and Iris is avoiding her best friend, unable to bear the smug pity. When a few caravans of Irish “travelers” squat illegally in Dad’s paddock, Iris sees the possibility of something fresh and untainted in her life. But Dad and Sam loathe the travelers, calling them “Gypsies,” “parasites” and worse. Iris strikes up a friendship—and maybe more?—with 14-year-old Trick, but her father becomes increasingly erratic as he sees his control over his family slipping away. Her Dad repeatedly threatens eviction, and Iris must decide whom to believe in the face of petty crime. A senseless act of violence leads to heavily foreshadowed tragedy. This brief, gloomy debut concludes tidily though with an unclear trajectory: After a summer’s adventure, everyone’s right where they started yet nothing’s the same, mirroring the intransigence of hate.

Readers who don’t need endings tied up with tight little bows will find much to think about here. (Fiction. 10-13)

Pub Date: May 27, 2014

ISBN: 978-1-4814-0658-1

Page Count: 256

Publisher: Atheneum

Review Posted Online: March 11, 2014

Kirkus Reviews Issue: April 1, 2014

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FINDING MIGHTY

A quick, agreeable caper, this may spark some discussion even as it entertains.

Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.

As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.

A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)

Pub Date: May 30, 2017

ISBN: 978-1-4197-2296-7

Page Count: 272

Publisher: Amulet/Abrams

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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THREADS AND FLAMES

Raisa's sister, Henda, has earned enough money to send for Raisa to join her in the goldineh medina of America. When Raisa arrives in 1910 New York from her Polish shtetl, she finds Henda missing. Responsible for supporting both herself and a newly orphaned toddler, Raisa finds a job at the Triangle Shirtwaist Factory. Raisa's friends, described in language rich with the cadences of Yiddish, each have jealousies, loves and flaws; they're not mere trajectories toward tragedy. But tragedy does strike, with the real-life factory fire that killed 146 workers. Vivid description of the deaths—of workers trapped on higher floors or leaping from windows to choose a faster death—unavoidably invites comparisons with another, more recent tragedy. The comparison serves the novel well; when the prose isn't strong enough for sufficient horror, visceral memories of 9/11 will do the trick (at least for those readers old enough to remember). After some tear-jerking, the happy conclusion comes too suddenly—shockingly so. The journey, however, is satisfying enough on its own. (Historical fiction. 11-13)

Pub Date: Nov. 1, 2010

ISBN: 978-0-670-01245-9

Page Count: 400

Publisher: Viking

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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