Young explorers will be happy to dive into this captivatingly illustrated biography of the renowned oceanographer.
Blue is everywhere, as is the marvelous diversity of undersea life, as Nivola recounts Earle’s passion for the oceans. From early childhood, she cultivated her love of nature; her family’s move to Florida, close to the Gulf of Mexico’s enthralling depths, clinched things. From then on, Earle’s explorations took her further and deeper. She helped design devices that allowed dives to profound underwater depths and witnessed the extraordinary phenomenon of bioluminescence. She lived for two weeks beneath the waves in a deep-sea station. Studies of whales yielded nearly magical observations. The detailed, richly colored, jewel-like illustrations capture the majesty of the undersea world and its astonishingly beautiful inhabitants. Nivola is careful to show Earle in perspective, so readers can fully comprehend the ocean’s vastness and understand that humans are merely a part of the amazing richness of life on Earth and under its waters. A delicious invitation to swim with the fishes. (author’s note, bibliography) (Picture book/biography. 5-9)
Pub Date: March 13, 2012
ISBN: 978-0-374-38068-7
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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