THE GHOST ANTS OF GRYLLADESH

The conclusion to a fantasy trilogy in which embattled tiny humans vie with insects.

This final volume in Carlton’s epic Antasy series takes readers back to a world where people have evolved to insect size and are surrounded by terrifying predators on land and in the air. The first book, Prophets of the Ghost Ants (2016),introduced readers to a wretched human underling named Anand, who dreams of freeing his people from the terror of the Ghost Ants and eventually founds the new and enlightened nation of Bee-Jor. As the series progressed through the second volume, Prophet of the Termite God (2019),readers followed Anand’s journey through scenes of war, torture, and hairbreadth adventure. That adventure concludes in this final volume, in which the realm of Bee-Jor is tottering due to outside and internal threats, including one that’s represented by one of the book’s most intriguing characters: the mad Queen Trellana, who threatens the new nation’s very existence in these pages. This plot of this series entry involves a blinded and desperate Anand being captured by a mysterious group, among whom he makes new friends and allies while in captivity; meanwhile, he agonizes over his ignorance of what’s happening in faction-torn Bee-Jor, where war is looming and a tense situation isn’t being helped at all by Queen Trellana’s delusional histrionics.

Carlton skillfully manipulates readers’ feelings of anticipation about the fate of Bee-Jor and about Anand himself, and he does so right from the beginning of this complex volume. The saga of Anand, also known as “Roach Boy,” is still central to the sprawling narrative, but many other important plotlines converge in this concluding entry, which the author fills with engaging characters and gritty, often violent Game of Thrones–style action and realpolitik. Over the course of three books, the author has been pursuing this story with gusto and intense readability, often through the use of vivid, gripping language—as when Anand is in the midst of traveling, exhausted, and Carlton sets the scene by noting that “Night slithered in, as cold and damp as an earth worm.” Overall, this is an extensively fleshed-out world that’s raw and brutal but very satisfyingly imagined. Unlike in many other epic fantasy novels, the characters in this story (human and otherwise) really seem to live in this strange world; the internal consistency of the reality Carlton has imagined is solid to the last detail. This third volume is very much aimed at existing fans of the series; it begins with a large glossary of dramatis personae, but it lacks the kind of series-to-this-point recap that’s common in other fantasy tomes, and that’s sorely needed here; without it, there’s little chance that new readers can come onboard with this book. This is unfortunate, as the various aspects of Anand’s character are more effectively rendered in these pages than in previous entries, and Carlton’s handling of the multifaceted story has never been more confident.

An immensely satisfying final volume in Carlton’s humans-and-insects saga.