A tale about a specific moment in history that is nevertheless universal.
In this bilingual English-Spanish tale, a brown-skinned child describes the journey their family must undertake, heading to a country only Papá knows.
The child’s sorrow is palpable as the house is packed and the tías are tearfully embraced. On the road, the family passes a boarded-up bakery and a store with a sign declaring that Mexicans aren’t served there. When nighttime comes, they and other families sit by a campfire and talk about the lives they left behind; the child’s parents describe picking pecans “here in Texas.” The book ends with the family reaching the Mexican border; the author’s note explains that the story takes place in the 1930s during a largely forgotten chapter of U.S. history: Mexican Repatriation. After the Mexican-American War of the 1840s, Mexican territories were annexed by the United States, and many Mexicans were encouraged to come to the United States to work; during the Great Depression, however, many were forced to leave. Some families, like the one in this story, included both U.S. citizens and those born in Mexico and so chose to leave together to avoid being separated. Martínez’s straightforward text and Mora’s signature smudgy yet vibrant illustrations bring to life a story that reminds us that little has changed in U.S. history, as immigrant families still face deportation and the fear of separation. (This book was reviewed digitally.)
A tale about a specific moment in history that is nevertheless universal. (Picture book. 5-8)Pub Date: Oct. 11, 2022
ISBN: 978-0-89239-434-0
Page Count: 40
Publisher: Children's Book Press
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous...
A first introduction to the iconic civil rights activist.
“She was very little and very brave, and she always tried to do what was right.” Without many names or any dates, Kaiser traces Parks’ life and career from childhood to later fights for “fair schools, jobs, and houses for black people” as well as “voting rights, women’s rights and the rights of people in prison.” Though her refusal to change seats and the ensuing bus boycott are misleadingly presented as spontaneous acts of protest, young readers will come away with a clear picture of her worth as a role model. Though recognizable thanks to the large wire-rimmed glasses Parks sports from the outset as she marches confidently through Antelo’s stylized illustrations, she looks childlike throughout (as characteristic of this series), and her skin is unrealistically darkened to match the most common shade visible on other African-American figures. In her co-published Emmeline Pankhurst (illustrated by Ana Sanfelippo), Kaiser likewise simplistically implies that Great Britain led the way in granting universal women’s suffrage but highlights her subject’s courageous quest for justice, and Isabel Sánchez Vegara caps her profile of Audrey Hepburn (illustrated by Amaia Arrazola) with the moot but laudable claim that “helping people across the globe” (all of whom in the pictures are dark-skinned children) made Hepburn “happier than acting or dancing ever had.” All three titles end with photographs and timelines over more-detailed recaps plus at least one lead to further information.
It’s a bit sketchy of historical detail, but it’s coherent, inspirational, and engaging without indulging in rapturous flights of hyperbole. (Picture book/biography. 5-7)Pub Date: Sept. 7, 2017
ISBN: 978-1-78603-018-4
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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