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ROTH UNBOUND

A WRITER AND HIS BOOKS

Although not a substitute for a full biography, Pierpont’s book offers a candid and sympathetic portrait of an audacious...

An insightful portrait of a creative life.

New Yorker writer Pierpont (Passionate Minds: Women Rewriting the World, 2000) admired Philip Roth long before she met him at a party in 2002. That meeting generated nearly a decade of conversations that inform this book: part biography—“used primarily as illumination”—part literary and cultural history, part Roth’s own memories, all in the service of examining Roth’s long, prolific career. Goodbye, Columbus (1959) catapulted the young author to fame, earning a National Book Award and acclaim from such prominent literary figures as Saul Bellow, Alfred Kazin, Irving Howe and Leslie Fiedler. It also incited accusations of anti-Semitism among readers who objected to Roth’s portrayal of his characters. “I’ll never write about Jews again,” he announced after a particularly grueling attack. But 10 years later—after two critical and commercial failures—Portnoy’s Complaint appeared. This novel, about “a wretchedly good Jewish boy’s attempts to squirm out of the ethical straitjacket of his childhood...,” was, writes Pierpont, “one of the signal subversive acts of a subversive age” and established Roth’s literary identity. Pierpont traces Roth’s life through two marriages, many affairs, a few awkward dates with Jacqueline Kennedy, assorted medical maladies and near-suicidal depression. She offers judicious overviews of his works and critics’ responses, including feminists’ accusations of misogyny. Although she draws somewhat on Roth’s two partial autobiographies, she calls her subject a master of self-disguise, most overtly revealed in Zuckerman, the protagonist of four novels, including Zuckerman Unbound. “Without Zuckerman—or some other mask,” writes Pierpont, “Roth is kind, discreet, and far from exciting. Also, far from truthful.” Although the opinionated Roth never avoided a fight, the man Pierpont came to know was reserved, gentle and cautious. “This is a discrepancy that all of Roth’s friends observe,” she notes: “the literary pirate who carries a bottle of Purell.”

Although not a substitute for a full biography, Pierpont’s book offers a candid and sympathetic portrait of an audacious writer.

Pub Date: Oct. 22, 2013

ISBN: 978-0-374-28051-2

Page Count: 368

Publisher: Farrar, Straus and Giroux

Review Posted Online: Nov. 6, 2013

Kirkus Reviews Issue: Dec. 1, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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