A Christmas charmer worth making room for.
Christmas Eve, replete with adorable animals: What could be more festive?
Papa Bear narrates this delightful, all-animal version of Moore’s perennially favorite holiday classic. He and Mama Bear have just settled down with their family for the night on Christmas Eve when a “clatter” outside awakens him. Lo and behold, he sees a “miniature sleigh and eight tiny dog-deer, / With a polar bear driver,” who, in this telling, subs for jolly, red-suited and red-capped St. Nick. In this very cheery adaptation, dogs of different breeds retain the names of the reindeer fleet in the original, so kids familiar with that poem may very well call out their monikers as the book is read aloud. The verse remains the same as in the 19th-century version, except where animal-themed word changes—as noted above—are required to suit these most adorable, child-appealing acrylic illustrations. The artwork depicts not only the pajama-clad bear family and furry pooches adorned with striped antler headbands, but also winsome mice, owls, cats, foxes, raccoons, a hedgehog, and a squirrel or two. The bears have decorated their home for the holiday colorfully, and the cubs have bedded down cozily with their stuffed toys. This is a sweet, endearing way to introduce young children to Moore’s Christmas poem.
A Christmas charmer worth making room for. (the origins of “’Twas the Night Before Christmas”) (Picture book. 3-7)Pub Date: Sept. 3, 2024
ISBN: 9781464222580
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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