A wide-ranging look at the cultural, political and religious forces that inspired the pioneering reggae group.
This history of the Wailers, among the first acts to bring reggae to a worldwide audience in the 1970s, doesn’t function like most music biographies. Grant (Negro With a Hat: The Rise and Fall of Marcus Garvey, 2008) resists assembling detailed family trees for the band’s prime movers, Bob Marley, Peter Tosh and Bunny Wailer. Nor does he obsess over discography or even dwell much on the musical shifts the trio made as it evolved from playful, syncopated ska to emotionally intense Rastafarian reggae. Instead of writing from a critical remove, Grant freely injects the story with first-person asides about his experiences with interviewees. All these tactics are assets, because they help the author avoid stock band-history patter and instead drill into the broader cultural life of 20th-century Jamaica. Looking at Trench Town, the slum from which the trio emerged, Grant explores British colonialism, violence, race relations and sexual mores that defined life on the island. He offers a pocket history of Ethiopian leader Haile Selassie (aka Ras Tafari) and his messianic following, and those passages go a long way toward de-glorifying the mythology of marijuana and Rastafarianism that wafts around the Wailers. The book never feels digressive or off-point, though the three musicians occasionally seem to get lost in the shuffle. Some of the interviews—as with Island Records chief Chris Blackwell, who popularized the Wailers' music in the United States—feel perfunctory. (Grant seems more engaged with a West Indies scholar who specializes in Jamaican slave life.) Still, the book clarifies the band’s impact in its home country, which collectively mourned when Marley succumbed to cancer in 1981 and Tosh was murdered in 1987. A lively, informed study of the Wailers, though not a straightforward introduction to them.
Pub Date: June 20, 2011
ISBN: 978-0-393-08117-6
Page Count: 320
Publisher: Norton
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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