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A GUEST AT THE FEAST

ESSAYS

Erudite essays from one of the world’s finest writers.

A celebrated novelist offers personal essays on religion, literature, his Irish upbringing, and his cancer scare.

“All of us have a landscape of the soul, places whose contours and resonances are etched into us and haunt us,” Tóibín writes in this magnificent volume. These previously published essays show the landscape of the author’s soul, mapping out events that have shaped him as a person and writer. He begins with the most devastating imaginable: “It all started with my balls,” he begins an essay that recounts his ordeal of having “cancer of the testicles that had spread to a lymph node and to one lung.” Grim humor punctuates the piece, as when he describes the time he couldn’t get to the hospital during an emergency because Pope Francis was visiting Dublin and had clogged the streets. The last three popes are the focus of the book’s coruscating middle section. A 1995 essay on John Paul II describes the belief that, under his pontificate, “there will be no change, and no discussion about change,” regarding women priests, bans on contraception, and more—a belief that proved correct. The other middle essays focus on the Catholic Church’s attempts to blame its many sex-abuse scandals on “homosexuality, not celibacy,” and on the authoritarian Cardinal Jorge Bergoglio, who, as Pope Francis, suddenly became the “poster boy for informality, humility, and good-natured cheerfulness.” In the title piece, Tóibín movingly recounts his upbringing in Ireland and what it was like “to be gay in a repressive society.” Essays on writers Marilynne Robinson, Francis Stuart, and John McGahern and a moving epilogue on the pandemic conclude the book. Throughout, the poetry of Tóibín’s prose is as impressive as always. In that title piece, he writes that his mother was “what most of us still write for: the ordinary reader, curious and intelligent and demanding, ready to be moved and changed.” Readers like her will savor every page of this book.

Erudite essays from one of the world’s finest writers.

Pub Date: Jan. 17, 2023

ISBN: 978-1-4767-8520-2

Page Count: 336

Publisher: Scribner

Review Posted Online: Oct. 17, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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