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ONE HUNDRED YEARS OF JAMES JOYCE’S ULYSSES

A treat for those readers who appreciate wrestling with a beast of a novel.

A happy centenary birthday tribute for a literary classic.

Acclaimed Irish novelist Tóibín gathers original essays and interviews for the latest volume in the publisher’s History of the Book series. Collectively, the pieces venture incisively into what James Joyce called his “damned monster-novel.” Avoiding the usual tropes and time-worn critical approaches to the novel, these essays are fresh and accessible to general readers. Tóibín begins with a probing essay on the novel’s often overlooked historical setting in 1904 Ireland and England. Exploring the intimate, complex role of Dublin in the novel, Anne Fogarty invites readers to “surmise things the text does not tell us, an impulse that would be a misstep in the case of most other fictions.” Three essays reveal how much the places where Joyce lived influenced the composition of Ulysses: Trieste; Zurich, where he wrote a large portion of the novel; and Paris, “perhaps the only city in the world where Ulysses could come to fruition and find publication,” according to Catherine Flynn. In Paris, Joyce found stability, financial support, and fame. In the intriguing “Revisioning Ulysses,” Maria DiBattista notes that Joyce “composed [the novel] with an eye for accuracy that would satisfy not only the town gossip but also the municipal engineer,” as he gradually devised new linguistic techniques to portray his characters. After an essay dealing with the historical and legal issues surrounding the novel’s famous censorship trials, Derick Dreher writes about Joyce’s handwritten, heavily edited Ulysses manuscripts and the fascinating history behind them. In 1924, they sold at auction for $1,975. Bibliophiles will savor James Maynard’s essay about the world’s largest collection of Joyceana, at the University of Buffalo—“unmatched glimpses into his writing process and literary relationships”—and how it was assembled. The book also includes excellent illustrations.

A treat for those readers who appreciate wrestling with a beast of a novel.

Pub Date: May 31, 2022

ISBN: 978-0-271-09289-8

Page Count: 184

Publisher: Penn State Univ.

Review Posted Online: March 25, 2022

Kirkus Reviews Issue: April 15, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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