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COACH RIDLEY’S BASKETBALL GLORY

THE CAREER OF CORNELIUS RIDLEY AT PEARL HIGH SCHOOL FIRST HALF 1960-1969

A detailed, dedicated and enjoyable remembrance.

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Smith, daughter of the titular coach, examines and remembers historically black Pearl High School and its famous basketball coach.

Basketball might be the centerpiece in this first of two volumes on Pearl High School and its legendary coach, but the many intangibles leading to the program’s dramatic success describe the book’s essence. Smith is the daughter and unwavering supporter of Coach Cornelius Ridley, who, for more than 20 years, served as mentor, disciplinarian and sometimes father figure to Pearl’s students, ballplayers and eventual men. This first volume chronicles the 1960s, described as a journey from segregation to integration. Smith deftly alternates between depicting the outstanding basketball program and the man who brought its excellence to the fore. This, in turn, is skillfully interwoven into the school’s rich history, complete with portrayals of dedicated educators and cohesive neighborhoods. The author’s analysis and quality research blends well with her personal touch. Basketball fans and archival buffs alike will appreciate the proficient use and display of news articles, interviews, photos, letters, box scores and even Western Union telegrams. The text’s tone suggests an earnestness that seems to have been handed from father to daughter. Smith can sometimes be overstated in her occasional black-and-white representations of items like character, values or relationships, but even a casual reader would expect this type of writing with a familial connection. This distraction is slight and certainly doesn’t take away from the author’s adept examination of critical, enduring issues. Smith discusses basketball equally well with the Secondary School Study of 1940 or Nashville’s mathematical formula for determining desegregation numbers (both listed in the appendix). It is, indeed, her examination of such issues that merges so well with a story that is attentive, nostalgic and just plain fun. One item that seems curiously missing, at least for the dedicated sports fan, is more coverage of the 1966 historic ballgame—Pearl’s championship in the first real year of integration. The account, otherwise, is a definite must for various libraries and repositories, especially those involved with sports and history. Includes end notes, references, appendices and index.

A detailed, dedicated and enjoyable remembrance.

Pub Date: Sept. 6, 2011

ISBN: 978-1438972527

Page Count: 225

Publisher: AuthorHouse

Review Posted Online: Dec. 23, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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