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THE TALE OF THE ROSE

Name: THE TALE OF THE ROSE
Author: Consuelo de Saint-Exupéry
ISBN: 0-375-50564-4

THE PASSION THAT INSPIRED THE LITTLE PRINCE

by Consuelo de Saint-Exupéry & translated by Esther Allen ‧ RELEASE DATE: July 3, 2001

A passionate, dreamlike memoir that draws you into its reverie.

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A literary memoir from the wife of one of the most beloved figures in children’s literature.

Consuelo Carrillo met the famous French writer and pilot Antoine de Saint-Exupéry in Buenos Aires within a year of being widowed from her first husband. The smitten Antoine proposed on the night they met. Overwhelmed by his romantic interest in her, Consuelo fled to France—and Antoine (bearing the gift of a caged puma) quickly followed. This present would prove an apt metaphor for her relationship with the voluble aviator, for Consuelo suffered greatly from the mercurial Antoine’s impulsiveness. Even while Antoine was still deeply in love with her, he always seemed to be on the move, either leaving for one of his flights or uprooting their home and relocating it to some new part of Europe or French West Africa. Finally, after he crashed in Libya and went missing for several days, Consuelo had what can only be described as a nervous breakdown. It was after this that Antoine withdrew emotionally as well as physically from his troubled wife, taking on a mistress and setting up separate homes for himself and Consuelo. Yet he could not bring himself to break completely with his wife, and whenever she seemed on the verge of leaving him for good either circumstance or Antoine himself would conspire to bring her back. He had an endearing childlike wonder at the world around him (matched by an equally childlike selfishness), and he would inevitably repeat his pattern of physical and emotional abandonment upon Consuelo’s returns. This she endured until Antoine disappeared over France during a reconnaissance mission in 1944.

A passionate, dreamlike memoir that draws you into its reverie.

Pub Date: July 3, 2001

ISBN: 0-375-50564-4

Page Count: 336

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.