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LIVING WITH GUNS

Name: LIVING WITH GUNS
Author: Craig R. Whitney
ISBN: 978-1-61039-169-6

A LIBERAL'S CASE FOR THE SECOND AMENDMENT

by Craig R. Whitney ‧ RELEASE DATE: Nov. 13, 2012

A fresh and balanced argument, though unlikely to convince most NRA members that liberals aren’t the enemy.

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Former New York Times reporter and editor Whitney (All The Stops: The Glorious Pipe Organ and Its American Masters, 2003, etc.) mounts an evenhanded review of the gun issue in the United States.

There’s a gun for every American, writes the author, “about 100 million of them handguns,” and the National Rifle Association has emerged as one of the most powerful lobbies in the country, with outsized political clout. To hear the NRA tell it, gun rights are constantly under assault thanks to a liberal administration, even if President Barack Obama has rarely addressed the topic. Whitney examines the reasons for preserving private ownership of firearms, one being the well-worn constitutional bit about the “well-regulated militia”—though, thanks to an ardently pro-gun Supreme Court, you “don’t have to be part of any militia to exercise it”—and he endorses the broad notion that guns have a role in maintaining liberty, though that role has since been supplanted by still broader notions of self-defense. The author argues that because it is now unconstitutional to ban classes of weapons used in self-defense (including, apparently, machine guns and assault rifles), authorities and citizens would do better to press not for gun control as such, but instead to require training in the use and maintenance of weapons and to keep guns out of the hands of those who should not be holding them. “Instead of fighting chimerical battles,” writes Whitney, “American gun-rights and gun-control enthusiasts should be talking to each other about what can be done…to reduce gun violence, particularly by addressing the criminal and psychopathological behavior patterns that cause it.”

A fresh and balanced argument, though unlikely to convince most NRA members that liberals aren’t the enemy.

Pub Date: Nov. 13, 2012

ISBN: 978-1-61039-169-6

Page Count: 336

Publisher: PublicAffairs

Review Posted Online: Oct. 14, 2012

Kirkus Reviews Issue: Nov. 1, 2012

Categories:

GENERAL NONFICTION

- BOOK REVIEW
ALL THE STOPS
by Craig R. Whitney

- BOOK REVIEW
SPY TRADER
by Craig R. Whitney

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.