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MR. PUTTER & TABBY DROP THE BALL

From the Mr. Putter & Tabby series

A home run.

Batter up, Mr. Putter and Tabby!

With over 20 titles in this venerable series, Rylant and Howard are still able to find ideas that bring not only a chuckle, but a side of confidence to new readers. This time, Mr. Putter realizes that he and Tabby have been napping too much. Though Tabby’s frisky days are over, Mr. Putter still has some energy. Is Mr. Putter too old to play baseball? Heck, no. He finds his mitt, calls up his buddy Mrs. Teaberry and joins a coed team of senior citizens called the Yankee Doodle Dandies. It’s clear from the illustrations that Mr. Putter is not too old for this team! Though he is clad in his trademark blue plaid shirt and straw hat, the others are in their uniforms, plump and unathletic, with oversized ears and beer bellies. Mrs. Teaberry’s dog, Zeke, insists on fielding the ball…and holding it, which allows the opposing team an advantage. From Tabby’s suspicious looks to chubby Zeke diving for the ball to the baseball field filled with elderly, enthusiastic athletes, Howard and Rylant allow young readers to enjoy the game—they’ll wish they had grandfathers just like Mr. Putter.

A home run. (Early reader. 4-8)

Pub Date: Sept. 17, 2013

ISBN: 978-0-15-205072-6

Page Count: 44

Publisher: Harcourt

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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