An SF adventure distinguished by a strong premise and crackling plot.
Anderson’s SF novel follows a Texan construction worker grappling with the effects of an immersive virtual-reality video game.
In the year 2120, Texas, after seceding from the United States, has spent generations at war with everyone from the union itself to Mexico, even unceremoniously dropping a nuclear bomb on the Mojave Desert. As if the rapidly crumbling environment and political insanity weren’t bad enough, most citizens are gripped by an addiction to a virtual-reality game called “the Siv,” in which players are promised a way to escape from their troubles (in reality, becoming half-vegetated slaves to the game’s economy). Enter Tomahawk “Hawk” O’Murtaugh, a construction worker who, at the novel’s outset, quickly loses both his father and his good friend Cezare in rapid succession. The back-to-back deaths send Hawk reeling into the world of the Siv, both as a distraction and as a way to understand the blight to which so many of his fellow countrymen, most notably his grandfather, are addicted. Once inside the game, Hawk discovers that his grandfather left him an inconceivably huge inheritance and was in fact one of the game’s founding designers. Determined to use his grandfather’s complicated legacy for good, Hawk sets out to liberate the masses enslaved by the game—a tall order, especially considering a ruthless serial killer is also making his way through the Siv, with his virtual victims perishing in the real world, too. Anderson’s novel deftly captures the strange anomie of living in a tech-driven world, as described by Hawk shortly after first engaging with the Siv: “I feel like I just jumped off a diving board into a swimming pool and somehow landed in the middle of the ocean.” While the narrative is set 95 years into the future, its problems are recognizable echoes of present-day issues. There is a lot to keep track of here—from the politics, to the future tech, to the characters themselves—but the plot is snappy and likely to keep readers on Hawk’s side as he tries to rescue civilization from itself.
An SF adventure distinguished by a strong premise and crackling plot.Pub Date: May 30, 2025
ISBN: 9798284973141
Page Count: 210
Publisher: N/A
Review Posted Online: June 11, 2025
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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