Flies and spiders, master! Big, messy, lots of fun—and not Stephenie Meyer.
Bram’s great-grandnephew teams up with Dracula buff Holt to reclaim vampire lit from the unholy, unlettered legions churning out today’s fang-and-cloak stuff.
This big, blood-filled kitchen sink of a debut boasts a vast cast of characters: Bram Stoker himself, as well as his nefarious Count, Jack the Ripper, Jonathan Harker, Dr. Van Helsing, Oscar Wilde, “blood Countess” Elizabeth Bathory, a mysterious Eastern European actor and a whole bunch of extremely hot (but also extremely cold, being dead and all) vampire chicks of uncertain gender preference. Bathory is definitely the heavy of the story, and it seems she’s spoiling to outdo the number of grisly murders she is said to have committed in life, aided by a coterie of spidery bloodsucking assistants. As befits a multigenerational saga that springs from a book that had few survivors, some familiar characters are on the other side of the live/dead line, and some—well, some are indeed in the undead camp. There’s lots of good old-fashioned polymorphously perverse degenerate romping (“Every orifice in her body became his plaything”). Stoker and Holt are careful not to go too far afield from the conventions of the original; Van Helsing, for instance, comes armed with “crosses, wafers, holy water, a wooden stake, a Bowie knife, and a crossbow armed and ready to fire,” rather than some postmodern substitute for all that good wood and metal. Yet this competently (but no more than competently) written sequel—endorsed by the Stoker family, the publisher assures—has plenty of contemporary twists, including a weird Darth Vaderish turn at the end that some Bram-faithful readers may find magnificently silly.
Flies and spiders, master! Big, messy, lots of fun—and not Stephenie Meyer.Pub Date: Oct. 13, 2009
ISBN: 978-0-525-95129-2
Page Count: 446
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2009
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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