Next book

We Have Dared to Be Free

HAITI'S STRUGGLE AGAINST OCCUPATION

A book that offers an important perspective on Haiti’s redevelopment, despite its inclination toward rhetorical stridency.

An energetic defense of Haitian culture coupled with an indictment of alleged Western attempts to destroy it under the pretense of international assistance.

Haiti has become a cause célèbre in recent years as both a lightning rod of controversy and as a recipient of sustained attention from nongovernmental organizations looking to save the beleaguered nation from perceived mismanagement. In her debut, Chery argues, however, that Haiti has always been capable of self-governance and that it’s precisely the aid—often inspired, she says, by nefarious interests—that has hobbled it. According to the author, Haiti was a shining example of revolutionary self-assertion, especially among tyrannized South American countries, ever since it won its independence in 1804. Haiti sustained itself with a robust agricultural economy and a vibrant culture, centered on its voodoo faith. Western imperialist countries opportunistically took an interest in Haiti, the author says, partly to exploit its resources and partly to tarnish its potentially dangerous example of freedom from enslavement. The heart of Chery’s argument, which reaches its crescendo in a chapter entitled “Humanitarian Imperialism,” is that soi-disant peacekeepers have created much of Haiti’s trouble not only through incompetent meddling, but also through an active desire to destroy its culture: “The current war against Haiti is an economic and propaganda war that requires a liberal use of aid money to undermine Haitian culture and agriculture.” The author presents a wide-ranging case to support her contention that the United States supports tyranny, helps to rig elections under the guise of supervision, and forcefully exports a rapacious capitalism; she also addresses the Western world’s contributions to climate change, of which Haiti disproportionately bears the harmful consequences. Chery also presents a thoughtful account of voodoo as being almost universally misinterpreted; she asserts that it is, in many ways, superior to other major Western religions, as it’s organized around ancestor worship instead of submission to a single deity. The author’s case is powerfully argued, always provocative, and especially strong when detailing the many ways in which Western aid has only worsened Haiti’s challenges. Sometimes, her prose turns incendiary, and she has a tendency to make sweeping claims that aren’t always clearly supported by available evidence. However, this book provides an important counterpoint to the view that Haiti’s recovery must be brokered by a coalition of charitable nations rather than by Haiti itself.

A book that offers an important perspective on Haiti’s redevelopment, despite its inclination toward rhetorical stridency.

Pub Date: July 28, 2015

ISBN: 978-0-9966535-0-3

Page Count: 334

Publisher: News Junkie Post Press

Review Posted Online: Nov. 19, 2015

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview