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WINTER WORK

An engrossing, deep-in-the-weeds thriller.

The Berlin Wall has just fallen, but following the murder of a close colleague, disillusioned Stasi veteran Emil Grimm finds that escaping his life in East Germany is as risky as ever.

In the chaos following the historic event, intelligence is up for grabs, pitting Russians against Americans against Germans for the names of thousands of agents in the field. Emil lives in a dacha in the woods north of Berlin with his bedridden wife, Bettina, who has ALS, and her caretaker, Karola, who, with the tacit approval of Bettina, has become a second wife to Emil. Among their neighbors is Emil’s former boss, renowned spymaster Markus Wolf (one of the real-life figures in the book). After the murder of Lothar Fischer, his friend and co-conspirator, Emil reaches out to CIA agent Claire Saylor, who has been dispatched to East Germany in hopes of learning the identity of a mole at Langley. He promises to swap her crucial information in return for her getting himself, Bettina, and Karola—who proves to be a great partner in surprising other ways—to freedom. In a kind of woodlands pas de deux, Claire (the protagonist of Fesperman's 2021 gem, The Cover Wife) becomes increasingly invested in Emil’s cause. Until the thrilling climax, what’s at stake—what the pitched strategic battles are about—is treated almost as an afterthought. It's the gamesmanship that matters most. Emil's secret meetings with Wolf have the color and bounce of a much finer wine than the one they’re drinking. A local cop bonds with Emil even as he is being played by him. When a recently retired spy named Clark Baucom says to Claire, “This is all getting pretty complicated,” she’s not at all unhappy about that.

An engrossing, deep-in-the-weeds thriller.

Pub Date: July 12, 2022

ISBN: 978-0-593-32160-7

Page Count: 352

Publisher: Knopf

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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DON'T LET HIM IN

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

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Following her father’s sudden death, Aisling Swann is secretly horrified when her mother begins to date again—and she quickly becomes suspicious of this new flame.

Four years ago: A mysterious male narrator reflects upon his relationship with his wife—along with a few pointed comments about how she is aging. It quickly becomes apparent that this self-proclaimed “very pleasant” man is not who he seems; he already has a girlfriend on the side, and he’s playing both women with sob stories about his job and his traumatic past while taking money from them. Even as they get more and more frustrated with his lack of communication during ever-lengthening absences, he still gives them what they want: “a top-notch husband.” In the present day, Ash Swann; her brother, Arlo; and their mother, Nina, mourn the loss of her charismatic father, Paddy, a successful chef with a chain of lucrative restaurants. Nina receives a sympathy note from a man who claims to have worked closely with Paddy in the industry, which leads to a robust online flirtation that moves into the real world about a year after her husband’s death. Ash is living at home, mired in grief as well as her own mental health struggles, and she’s none too happy to see her mom dating—but particularly this handsome, egregiously suave Nick Radcliffe. Ash begins to notice some inconsistencies with his stories and his past, so she enlists Paddy’s ex-girlfriend Jane to help her investigate. Meanwhile, Ash’s story continues to intercut that of the mysterious man who is now married to his former girlfriend—and still up to his old tricks. Jewell’s cutting between past and present certainly allows revelations to ooze out at a slow, controlled pace; even as the reader makes obvious connections, the full picture remains obscure. Jewell has written some incredibly engaging and strong female characters, Nina, Ash, and Jane foremost among them. What would it have been like to split the narrative between them instead of giving so much voice—and thus narrative power—to the male antagonist?

Jewell is absolutely a genius at building suspense, but the “man behaving badly” plot is getting tired.

Pub Date: June 24, 2025

ISBN: 9781668033876

Page Count: 384

Publisher: Atria

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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