For fans of Grant Ginder and Jean Hanff Korelitz, Aleman could be a writer to watch.
When a one-night-stand dies in his bed, a struggling writer sees a way to resuscitate his career.
In his first book for adults, having written two YA novels, Aleman creates a protagonist with an autofictional vibe—David Alvarez, the 28-year-old gay Latine author of two books—and places him in a gleefully cooked-up situation. After a roaring success with his debut and a wholesale flop with his second book, Alvarez learns from his agent, the soigne Stacey Hixon-Jones, that his publisher has passed on his third manuscript. Broke, friendless, and lonely, he turns to Grindr to drown his sorrows and meets up with what seems like the man of his dreams. The charming, handsome, slightly older guy who invites him to the Plaza Hotel and escorts him around town on a boozy, thrilling date seems like he could fill the hole left by the loss of his erstwhile partner, Jeremy, a casualty of David's absorption in his career drama. Unfortunately, in the morning, the dream date appears to have expired—and David doesn't remember whether he murdered him or not. In a panic, he calls Stacey, who pops over with dollar signs in her eyes. Surely they can turn this dead body into a bestseller! As they execute Stacey's bizarre idea for next steps, things get crazier and campier by the minute, sometimes staying on the funny side of ridiculous and sometimes…not. The plot keeps thickening, that's for sure, and contrasts a bit uncomfortably with the earnest portrayal of David's emotional landscape; his father, stepmother, and half brother in New Jersey could be characters from a different novel.
For fans of Grant Ginder and Jean Hanff Korelitz, Aleman could be a writer to watch.Pub Date: Dec. 3, 2024
ISBN: 9781538766347
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
BOOK REVIEW
BOOK REVIEW
A potent and surprising novel by the ever-reliable Crais.
Hired to find the father of celebrity “muffin girl” Traci Beller 10 years after his disappearance, PI Elvis Cole uncovers a nefarious plot that puts his life and those he contacts at risk.
The sweetly likable Traci, now 23, has amassed a huge following with her website, The Baker Next Door, and on social media. Against the advice and self-interest of the people who over-manage her career, she decides to find out what happened to her father. Cole quickly determines that he was last seen at the SurfMutt hamburger stand, where he gave a ride to Anya Given, a troubled 15-year-old whose mother, Sadie, was late in picking her up from the skate park across the street. With the reluctant help of a scattered young woman who used to work at the burger joint, Cole tracks down Anya and Sadie, who is eventually revealed to have a criminal past. For his efforts, he’s jumped by a small gang of men who send him to the hospital with the worst beating of his life. (Asked by a nurse what his name is, the best he can guess is “Los Angeles.”) Still in recovery, Cole and Joe Pike, his ex-Marine partner, trace his attackers to Sadie, with unexpected results. As ever, Crais draws the reader in via his protagonist’s casual, dryly humorous manner and the book’s relaxed ties to classic noir. Slowly but surely, the plot gains intensity and deadly purpose. Just when you think the missing persons case is solved, Crais ratchets things up with a devastating follow-through. This is the L.A. novelist’s 20th Cole mystery, following such efforts as The Watchman (2007) and Racing the Light (2022). It may be his most powerful.
A potent and surprising novel by the ever-reliable Crais.Pub Date: Jan. 14, 2025
ISBN: 9780525535768
Page Count: 400
Publisher: Putnam
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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