by Daniel Bergner ‧ RELEASE DATE: Sept. 27, 2016
A disjointed structure occasionally hobbles this swiftly written life story of music, forgiveness, and resilience.
The biography of an emerging African-American opera singer who overcame a tough Southern childhood.
New York Times Magazine contributor Bergner (What Do Women Want?: Adventures in the Science of Female Desire, 2013, etc.) details the life of Ryan Speedo Green, who rose to performance prominence after a harrowing childhood in southeastern Virginia. Described as a physically imposing figure at 6 feet 5 inches and over 300 pounds, Green grew up with little adolescent ambition, raised by a largely absent part-Seminole bodybuilder father and an Air Force veteran mother who grew as abusive and violent to her children as her own romantic partners were to her. Life in their low-income housing project became troublesome for the young, increasingly uncontrollable Green, who, at age 12, pulled a knife on his brother and his mother and was sent to a juvenile detention facility. During his high school years, the family lived in similar squalor, but as Green was steered toward chorus classes to obtain easy high school credits, he ended up uncovering his truest voice. Bergner captures the essence of his subject’s desperate childhood even though Green terminated many interviews due to the still-palpable pain and misery of his past. Running alongside Green’s childhood is the story of his more recent ascent up the ranks of the Metropolitan Opera National Council Auditions competition; the author spotlights both the struggles and the triumphs associated with Green’s exhaustive vocal training. The interweaving of both eras of Green’s life doesn’t always cohere, causing a meandering narrative. Bergner works hard to establish momentum during Green’s tumultuous childhood—and finds some success—but when coupled with the details of his opera aspirations, the effect is jarring. Still, as Green’s past and present finally meet in conclusion, his prideful performance at the Met (with his father in joyful attendance) seemingly trumps a good portion of childhood trauma.
A disjointed structure occasionally hobbles this swiftly written life story of music, forgiveness, and resilience.Pub Date: Sept. 27, 2016
ISBN: 978-0-316-30067-4
Page Count: 320
Publisher: Lee Boudreaux/Little, Brown
Review Posted Online: June 10, 2016
Kirkus Reviews Issue: July 1, 2016
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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