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THE TRIAL OF POPE BENEDICT

JOSEPH RATZINGER AND THE VATICAN'S ASSAULT ON REASON, COMPASSION, AND HUMAN DIGNITY

An eye-opening account of corruption and secrecy.

Why Joseph Ratzinger, Pope Benedict XVI, became the first pope to be cited for crimes against humanity.

Gawthrop (The Rice Queen Diaries, 2005, etc.) focuses on the complaint before the International Criminal Court to explore the deeper roots of the crisis within the Catholic Church. The author shows how resurgent opposition to discussions of reform initiated during the pontificate of John XXIII—e.g., birth control, abortion, ordaining female priests—provided the ground under which the now-exposed coverups of priestly rape and sexual abuse could take root. Because Ratzinger's rise within the church’s hierarchy spans 30 of the 50 years that have elapsed since John XXIII's reign, Gawthrop forcefully establishes that he had the power to stop the abuse. The author traces the origins of the coverup back to 1962, when John XXIII commissioned the policy document Crimen Sollicitationis. Key in this was the maintenance of “pontifical secrecy…the utmost confidentiality…permanent silence.” There were no provisions for investigation, no acknowledgment of crime and no suggestion about turning offenders over for prosecution by the criminal authorities. As head of the Congregation for the Defense of the Faith, Ratzinger continued this policy and ensured that all cases were referred to him personally. Detailing specific cases where Ratzinger intervened and how he affected their outcomes through stalling, delay and other means, Gawthrop shows how the succession of investigations and the arrogant responses of the hierarchy contributed to bring things to a head. The author also thoroughly documents the broader context of the hierarchy's theological and political commitment to overturn the legacy of Vatican II.

An eye-opening account of corruption and secrecy.

Pub Date: June 26, 2013

ISBN: 978-1-55152-527-3

Page Count: 220

Publisher: Arsenal Pulp Press

Review Posted Online: May 18, 2013

Kirkus Reviews Issue: June 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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