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PANDAEMONIUM

ETHNICITY IN INTERNATIONAL POLITICS

A timely, informed plea from New York's senior US senator ``to make the world safe for and from ethnicity.'' Moynihan presented an early version of this material in November 1991 as a lecture at Oxford; he's updated that text with notes on such events as the ``ethnic cleansing'' occurring in Bosnia. There's a certain amount of self-congratulation here (guess which politician, virtually alone in the 80's, predicted the collapse of the Soviet Union while the ``realists'' wailed about the Red tide?), but, at his best, Moynihan displays erudition and a mastery of material. Both the American liberal belief in a melting pot and the Marxist belief in class solidarity, he shows, badly underestimated ``the persistence of ethnicity.'' Although a believer in Woodrow Wilson's notion of international law, he points out what a Pandora's box that visionary's concept of ``self- determination'' has proven. Not only did Wilson refuse to apply the concept to America's allies (notably regarding Britain's control of Ireland), but he was ignorant of the idea's presumed beneficiaries and fuzzy about what the term meant in the first place. Moynihan lucidly explains how Communists pushed self-determination for ethnic groups without reconciling this with an international proletarian movement; how the UN Charter has been bedeviled by contradictory clauses on self-determination and noninterference with nations' internal affairs; and how preferential policies for majorities and entrenched minorities, both abroad and at home, exacerbate intergroup conflict. Throughout, the senator's mordant observations on historical myopia are leavened with typically puckish wit (``For years Europeans asked: Why is there no Socialist movement in the United States? The answer may be that we knew better''). The latest in a series (On the Law of Nations, 1990, etc.) demonstrating that Moynihan may be America's foremost literary politician—someone who can advance policy as cogently on the written page as on the stump.

Pub Date: March 1, 1993

ISBN: 0-19-827787-3

Page Count: 208

Publisher: Oxford Univ.

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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