A novel that delivers pretty much everything Silva’s fans want.
Silva takes his hero to where this bestselling series began.
Fans have gotten used to a new Gabriel Allon book every summer. Anyone wondering what the former head of Mossad might be doing during the war in Gaza will not find an answer here. This is bad news, maybe, for readers who appreciate Silva’s engagement with real-world politics, but it’s good news for those looking to this series for escape. This narrative is set in motion by the death of an art historian trying to reconnect a Picasso painting stolen by the Nazis with its rightful owner. Allon is drawn into this mystery by an old acquaintance from Cornwall, the place where he tried to escape his past and where readers first met him in The Kill Artist (2000). As he did in The Collector (2023), the author focuses on Allon’s connections to the art world, rather than his tenure as an assassin and intelligence operative. None of this is to say that Allon doesn’t make use of spycraft and his network of powerful international contacts. Although longtime fans may miss their favorite members of his old crew, there are plenty of familiar characters here. Allon enlists the help of hacker and master thief Ingrid Johansen and violin virtuoso Anna Rolfe. And it’s Timothy Peel—all grown up—who asks Allon for help investigating a seemingly simple case of murder that isn’t simple at all. All of this is fun enough, but it also feels a bit static. In Portrait of an Unknown Woman (2022), Allon whipped up passable forgeries of works by Renaissance masters like Titian, Tintoretto, and Veronese in a matter of days. Here, his plan for recovering a Picasso requires him to produce convincing lost paintings by modernists and postmodernists with wildly different styles. The glimpses into Allon’s family life also feel rote. Silva’s fans know that Chiara can do much more than cook and smile while her husband goes off on his adventures.
A novel that delivers pretty much everything Silva’s fans want.Pub Date: July 9, 2024
ISBN: 9780063384200
Page Count: 432
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 3, 2024
SEEN & HEARD
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Fine Grisham storytelling that his fans will enjoy.
A descendant of enslaved people fights a Florida developer over the future of a small island.
In 1760, the slave ship Venus breaks apart in a storm on its way to Savannah, and only a few survivors, all Africans, find their way safely to a tiny barrier island between Florida and Georgia. For two centuries, only formerly enslaved people and their descendants live there. A curse on white people hangs over the island, and none who ever set foot on it survive. Its last resident was Lovely Jackson, who departed as a teen in 1955. Today—well, in 2020—a developer called Tidal Breeze wants Florida’s permission to “develop” Dark Isle, which sits within bridge-building distance from the well-established Camino Island. The plot is an easy setup for Grisham, big people vs. little people. Lovely’s revered ancestors are buried on Dark Isle, which Hurricane Leo devastated from end to end. Lovely claims the islet’s ownership despite not having formal title, and she wants white folks to leave the place alone. But apparently Florida doesn’t have enough casinos and golf courses to suit some people. Surely developers can buy off that little old Black lady with a half million bucks. No? How about a million? “I wish they’d stop offering money,” Lovely complains. “I ain’t for sale.” Thus a non-jury court trial begins to establish ownership. The story has no legal fireworks, just ordinary maneuvering. The real fun is in the backstory, in the portrayal of the aptly named Lovely, and the skittishness of white people to step on the island as long as the ancient curse remains. Lovely has self-published a history of the island, and a sympathetic white woman named Mercer Mann decides to write a nonfiction account as well. When that book ultimately comes out, reviewers for Kirkus (and others) “raved on and on.” Don’t expect stunning twists, though early on Dark Isle gives four white guys a stark message. The tension ends with the judge’s verdict, but the remaining 30 pages bring the story to a satisfying conclusion.
Fine Grisham storytelling that his fans will enjoy.Pub Date: May 28, 2024
ISBN: 9780385545990
Page Count: 304
Publisher: Doubleday
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
