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THE BOY AT THE GATE

A MEMOIR

Heartbreak at its most bittersweet.

An Irish singer/songwriter’s powerful debut memoir about growing up at the notorious Artane Industrial School for orphaned and abandoned boys in Dublin.

When Ellis began writing the lyrics for his 2009 album, “800 Voices,” he found himself unexpectedly overwhelmed by memories of his years at the Artane school for boys, an institution known for mistreating its unfortunate charges. He was just 8 years old when his alcoholic mother left him with the priests who ran Artane. She told her son she would take him home one day; instead, she left for England with a lover and never returned. In a story that alternates between his successful present and harrowing past, Ellis details how he survived the years of savagery at the hands of the school’s sadistic, whip-wielding priests to become a critically acclaimed musician. A combination of street-honed canniness and steadfast friendships with other boys saved him from the at-times bloody extremes of physical victimization. But it was the Artane Boys Band that saved his soul and gave him a place to express the anger, pain and confusion that roiled inside his “fighting Dublin heart.” A priest encouraged him to take up the trombone, an instrument on which Ellis was able to hone his gift for music. By the time he was 15, his skill and talent attracted the attention of a respected Irish musician who helped the young trombonist get work on the Irish show-band circuit after he left Artane. That Ellis uses the narrative to unearth a deliberately forgotten past makes for compelling reading. But what makes his work even more affecting is the way he uses his story to liberate the voices of otherwise forgotten children who endured “one of the most abusive and brutal institutions in Ireland.”

Heartbreak at its most bittersweet.

Pub Date: Sept. 3, 2013

ISBN: 978-1-61145-892-3

Page Count: 320

Publisher: Arcade

Review Posted Online: July 28, 2013

Kirkus Reviews Issue: Aug. 15, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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