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PARACHUTE

Name: PARACHUTE
Author: Danny Parker
ISBN: 978-0-8028-5469-8

by Danny Parker ; illustrated by Matt Ottley ‧ RELEASE DATE: March 11, 2016

The very air around Toby seems to vibrate, and it's a great relief when he leaves the parachute behind; readers know...

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A young boy learns to let go of the object that makes him feel safest in a picture book that effectively skews perspective to great effect (and great heights).

Wild-haired, fair-skinned, barefoot Toby wears an orange parachute pack all the time, whether he's climbing down from his enormously tall bunk bed or braving a huge elephant at the zoo. As with a security blanket, Toby's parachute isn't just a survival mechanism in case of a calamitous fall, but a catchall object to fight everyday fears. It's only when Toby has to put the parachute to use to save his cat that he begins to learn to work through scary situations alone. The text is effectively sparse, letting airy digital illustrations work their magic, turning Toby's fears into stretched, depth-filled fantasies of a bed above the clouds and an untethered treehouse floating toward space. An effective mix of variously proportioned panels and double-page spreads, the images are a delight of tension, as thrilling as they are scary when considered from Toby's point of view. If the message, of leaving a childhood object behind to grow up, is unremarkable, the words and pictures still work wonders, giving the child's panic emotional weight and visual flair at the same time.

The very air around Toby seems to vibrate, and it's a great relief when he leaves the parachute behind; readers know there'll be plenty more adventures without it. (Picture book. 4-8)

Pub Date: March 11, 2016

ISBN: 978-0-8028-5469-8

Page Count: 32

Publisher: Eerdmans

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
MOLLY AND MAE
by Danny Parker ; illustrated by Freya Blackwood

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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CLAYMATES

by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

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Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)