An often baffling tale, but its protagonist’s wry commentary is undeniably entertaining.
In Dash’s (Sunburn, 2015, etc.) sci-fi outing, a man finds himself in a bizarre city filled with emotionless, robotic drones and people with fluctuating memories.
Londoner Newman Riplan, who troubleshoots computers, is in Amsterdam for work. It’s a relatively simple gig, but he takes his time so that he can stay overnight and party with Hughie and Battles, old friends whom he hasn’t seen in a couple of years. After the trio drinks, smokes, and snorts to excess, Hughie convinces Riplan that he’s due for a vacation and even buys him a plane ticket to a surprise destination. A fairly uneventful flight, however, takes an eerie turn when a confused Riplan suddenly has the feeling that he’s the only living soul on the plane—everyone else seems to have turned into mannequins. After the plane lands, he gets no clarification as to his whereabouts; when he asks the people around him, they respond: “Where do you think you are?” He enters a nameless city populated by drones—humanlike automatons that initially don’t seem to serve a purpose. Neither are the humans very accommodating, and they’re unfamiliar with even basic amenities, such as glass or electricity. Apparently someone called “the Alchemist,” of whom little is known, provides the people with what they need. Riplan believes that if he can just meet this man, he can find a way out of the city and back home. Dash’s surreal tale has its share of unsettling moments; two of the most disturbing entail Riplan learning what type of currency the city dwellers use and the origin of their preferred drink. There’s also an abundance of intriguing peculiarities, from beasts that run amok when the moon turns crimson to men who do a nightly task when everyone’s asleep. Readers shouldn’t expect many answers, though, as the city’s inhabitants have spotty recollections of their pasts. As a result, the novel is a dizzying affair, but Dash grounds the story with Riplan’s genuine connection to a woman he meets, named Cheryl. The author also provides moments of humor; Riplan gets a job in the city as a teller of tales, which he pulls from books and movies and claims as his own. The ending, though predictable, doesn’t disappoint, as it offers resolution while also leaving a lot to interpretation.
An often baffling tale, but its protagonist’s wry commentary is undeniably entertaining.Pub Date: Oct. 19, 2016
ISBN: 978-1-5396-2866-8
Page Count: 310
Publisher: CreateSpace
Review Posted Online: Dec. 20, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
