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SUNBURN

A sometimes-engaging horror story with a familiar, predictable conclusion.

Three 20-somethings’ holiday in Bulgaria becomes a vacation from hell in Dash’s (The Evil and the Pure, 2014) horror novel.

Dominic and his best friend, Curran, are easy travelers to please—get them drunk and they’re happy. Martini, Dominic’s girlfriend, has tolerated their behavior long enough and wants more from her holiday experience. Taking control of the itinerary, she surprises the boys with a culture- and nature-filled road trip through Bulgaria. Martini’s excitement about the trip isn’t reciprocated, however. From the outset, the trio’s obvious lack of chemistry is grating, which is only exacerbated by the tired roles they inhabit: nagging girlfriend; combative, crude best friend; and apathetic boyfriend. With each new town they visit, Martini and Dominic’s relationship inches toward demise, mostly because of Curran and his insatiable attraction to the bar scene. Lurking in the Bulgarian shadows, however, is a far greater, more intriguing threat. When Dominic and Curran ditch Martini (yet again) to hang out with a group of local teenagers, the night leads them to a secret lake in the woods where copious drinking, skinny-dipping, and flirtation abound. That is, until Dominic and Curran are beaten and left naked after Curran flirts with the wrong girl. When Dominic wakes the next afternoon, he’s badly sunburned and alone—and then, at his weakest moment, a lurking beast arrives. Dominic’s ensuing struggle to find his friend, stay alive, and defeat the creature is vivid and unrelenting, and Dash fully realizes the unnamed monster in all of its grotesque, imposing physicality. During this section, the novel offers captivating tension and brutal, gory fun. If only it ended there, because after the exhilarating hide-and-seek contest between man and beast, the rest of the story feels flat and contrived. It isn’t helped by references to the silliness of horror-movie archetypes, which only weaken the horror tropes littered throughout the story.

A sometimes-engaging horror story with a familiar, predictable conclusion.

Pub Date: April 13, 2015

ISBN: 978-1511568807

Page Count: 412

Publisher: CreateSpace

Review Posted Online: June 16, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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