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SUNBURN

A sometimes-engaging horror story with a familiar, predictable conclusion.

Three 20-somethings’ holiday in Bulgaria becomes a vacation from hell in Dash’s (The Evil and the Pure, 2014) horror novel.

Dominic and his best friend, Curran, are easy travelers to please—get them drunk and they’re happy. Martini, Dominic’s girlfriend, has tolerated their behavior long enough and wants more from her holiday experience. Taking control of the itinerary, she surprises the boys with a culture- and nature-filled road trip through Bulgaria. Martini’s excitement about the trip isn’t reciprocated, however. From the outset, the trio’s obvious lack of chemistry is grating, which is only exacerbated by the tired roles they inhabit: nagging girlfriend; combative, crude best friend; and apathetic boyfriend. With each new town they visit, Martini and Dominic’s relationship inches toward demise, mostly because of Curran and his insatiable attraction to the bar scene. Lurking in the Bulgarian shadows, however, is a far greater, more intriguing threat. When Dominic and Curran ditch Martini (yet again) to hang out with a group of local teenagers, the night leads them to a secret lake in the woods where copious drinking, skinny-dipping, and flirtation abound. That is, until Dominic and Curran are beaten and left naked after Curran flirts with the wrong girl. When Dominic wakes the next afternoon, he’s badly sunburned and alone—and then, at his weakest moment, a lurking beast arrives. Dominic’s ensuing struggle to find his friend, stay alive, and defeat the creature is vivid and unrelenting, and Dash fully realizes the unnamed monster in all of its grotesque, imposing physicality. During this section, the novel offers captivating tension and brutal, gory fun. If only it ended there, because after the exhilarating hide-and-seek contest between man and beast, the rest of the story feels flat and contrived. It isn’t helped by references to the silliness of horror-movie archetypes, which only weaken the horror tropes littered throughout the story.

A sometimes-engaging horror story with a familiar, predictable conclusion.

Pub Date: April 13, 2015

ISBN: 978-1511568807

Page Count: 412

Publisher: CreateSpace

Review Posted Online: June 16, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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