This autobiographical first novel delights in irreverence and irony—its politically incorrect narrator refuses to sacrifice his much-cultivated individuality for a ready-made racial identity. He's black, blue, and bourgeois—Ellison's Invisible Man getting drunk with Frederick Exley. Fragmented and episodic, Pinckney's daring narrative begins in Indiana ``on the glossy edge of the New Frontier,'' when the young narrator looks into his future among the ``Also Chosen,'' the suburban answer to ``the Talented Tenth'' of well-educated and polite Negroes. But hovering over the rosy scene is Ivy-educated Grandfather Eustace (``the arch darky''), whose failure at everything, including itinerant preaching, presages his unnamed grandson's own will to dissipate. Nerdy and precocious, the adolescent Anglophile discovers ``the social stratification of being a black-power advocate in a suburban high school.'' But his involvement with a Black Panther splinter group (the Heirs of Malcolm) ends with his purge for ``flunkyism.'' A trip to beloved England finds London as depressing as downtown Indianapolis. College days are served on the edge of Harlem (the ``Valley of the Shines''), where Black Muslims and street hustlers mark him as college boy and rube. His only black friend in school is the flamboyant and sexy Bargetta, who dates only whites. After Columbia, our hero slums on Morningside Heights; hangs out in a working-class bar; works for Djuna Barnes as a part-time handyman. He coasts through a job in publishing; moves to Manhattan's Pomander Walk; attends a Farrakhan rally; and suffers through a dinner party with black yuppies. While he halfheartedly tries to make his way in the world, family keeps tugging at his conscience and consciousness—Aunt Clara in ``the Old Country'' down south; Uncle Castor, the aging jazzman; and Grandfather Eustace in mental decline. Ultimately, Pinckney's unhip narrator embraces art not ideology, loneliness not a lifestyle. Pinckney mocks the racial shibboleths, deftly turns the ironist inward, and scorns his self-indulgence. His voice—in perfect tones and full of timbre—speaks to, not for, ``the black experience'' among those who value character over color.
Pub Date: Feb. 1, 1992
ISBN: 0-374-16998-5
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1991
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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