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BIG TROUBLE

In his first-ever novel, prolific humorist Barry (Dave Barry Turns 50, 1998, etc.) proves just how easy it is, or at least how easy he can make it seem, for any zany with Miami connections to master what he artlessly calls “the Bunch of South Florida Wackos genre.” Here’s the scoop. Matt Arnold, the high-school son of an unsuccessful advertising man, wants to assassinate his classmate Jenny Herk, as per the rules of the Killer game they’re both playing, by shooting her with a water pistol. Jenny’s father Arthur, embezzling executive and bagman for a ludicrously corrupt construction business, is also the target of a pair of killers who are packing more serious heat. Both executions are about to be witnessed by Puggy, an oblivious drifter whose low-impact job at the Jolly Jackal bar has connected him to gadabout Russian arms dealers who’ve recently assumed possession of a really heavy suitcase filled with something that looks like a garbage disposal with a 45-minute timer. The FBI is interested in the Jolly Jackals; the Miami police are interested in the assassination attempts; and the kingdom of allegedly lower animals also plays an active role. Roger the dog thinks of every encounter with the human community in terms of a possible meal; a poisonous toad lives only to eat from Roger’s food dish; and a cobra named Daphne will play a timely role several bumps down the road. Barry juggles this ship of fools with a genial ease and a disarming lack of tension that suggest, maybe not Carl Hiassen, but the sweeter disposition of Laurence Shames. The big surprise is how readily adaptable Barry’s jokey rhythms are to the demands of creating characters and spinning them a farcical plot. But a host of lesser surprises are equally welcome. (First printing of 150,000; Literary Guild featured alternate; $150,000 ad/promo; author tour)

Pub Date: Sept. 13, 1999

ISBN: 0-399-14567-2

Page Count: 272

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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