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THE SHEPHERD, THE ANGEL, AND WALTER THE CHRISTMAS DOG

Dickens needn’t fear the competition, but a Very Barry Christmas should prove a holiday favorite for years to come.

A nostalgic Christmas fable strikes an engaging balance between humor and heart.

With his penchant for booger jokes and infatuation with 1960s rock-’n’-roll, the Pulitzer Prize–winning former columnist and prolific author (Dave Barry’s Money Secrets, 2006, etc.) has proven inordinately successful at channeling his inner 13-year-old. This short, easily digestible, first-person reminiscence invites the reader to identify its fictional narrator, a junior-high student, with the author. Not only do they share the same initials, but Doug Barnes lives in the place and era of Barry’s adolescence—Asquont, N.Y., 1960. Christmas in this commuter town 30 miles north of New York City has some amusing traditions, including a “Manger War,” in which Catholic and Protestant kids play pranks involving each other’s displays, and a Christmas Eve pageant that suffers a series of calamities. After the previous year’s mishap, in which the vase intended as a gift for baby Jesus shattered and he was instead presented with a Rolodex, Doug finds himself demoted from Wise Man to shepherd. Which wouldn’t have been so bad, since it’s fun carrying a staff, if this year Judy Flanders hadn’t been selected to play Mary. Judy is the girl of Doug’s dreams, one of the most popular, and nicest, girls in school, and one of the few who’ll both talk to and dance with Doug. (This doesn’t make him special; she’s like that with everyone.) Pivotal plot developments include the accumulation of bat poop in the belfry of Doug’s church and the Christmas Eve death of the Barnes family’s beloved dog (who was older than Doug) and their unexpected adoption of a new one. Walter the Christmas miracle dog becomes Doug’s guardian angel, Doug becomes Judy’s hero and the holiday ends happily for everyone.

Dickens needn’t fear the competition, but a Very Barry Christmas should prove a holiday favorite for years to come.

Pub Date: Nov. 7, 2006

ISBN: 0-399-15413-2

Page Count: 128

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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