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THE BEST AMERICAN NONREQUIRED READING 2004

A mixed bunch, a little below last year’s standard. (Not seen: pieces by Jon Gertner, Paula Peterson, and David Sedaris.)

The third in this catchall series is weighted toward fiction and has an international flavor.

Included are two cartoons and four nonfiction pieces: David Mamet’s notes on language, “Secret Names,” suggestive but in need of shaping; Michael Hall’s “Running For His Life,” a stirring tribute to an ethnic cleansing survivor from Burundi, now an ace runner/coach in Texas; Michael Paterniti’s workmanlike account of an Iranian living in a Paris airport for 15 years (“The Fifteen-Year Layover”); and Transmissions From Camp Trans, Michelle Tea’s long examination of prejudice against transsexuals among feminists that gets bogged down in its convoluted sexual politics. The fiction has more of a sheen, including three very strong stories with foreign settings. “Half of a Yellow Sun,” by Chimamanda Ngozi Adichie, is a heartbreaking evocation of the 1960s rise and fall of Biafra; Daniel Alarcón’s “City of Clowns” provides a memorable portrait of turbulent family life in Lima, Peru; and Gina Ochsner’s “Hidden Lives of Lakes” is a sweet fantasy about the allure of the afterlife for some ordinary Russians. Looking for something quintessentially American? Try the always-dependable Christopher Buckley’s “We Have a Pope!” (a juicy account of a p.r. campaign for an American pope), or Lance Olsen’s “Sixteen Jackies”: far away from the tabloid versions of Jackie Kennedy, the one true Jackie, all 246 pounds of her, is kicking back in her Caribbean hideaway. Some editorial judgments are puzzling. Why include Thom Jones’s ho-hum study of craziness (“Night Train”) when you already have the brilliant and terrifying portrayal of a father’s madness infecting his son (Ben Ehrenreich’s “What You Eat”)? And we don’t need both John Haskell’s “Good World” and Tom Kealey’s “Bones,” experimental offerings with similar structures. With family life, however, the range is impressive, from tight-knit Orthodox Jews (Julie Orringer’s “The Smoothest Way is Full Of Stones”) to the failed family that sells its babies (“The Promise of Something,” by Cheryl Printup).

A mixed bunch, a little below last year’s standard. (Not seen: pieces by Jon Gertner, Paula Peterson, and David Sedaris.)

Pub Date: Oct. 14, 2004

ISBN: 0-618-34122-6

Page Count: 288

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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