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LADS

A MEMOIR OF MANHOOD

Surprisingly readable, despite the author’s abundant disgust for himself and others.

Driven by a series of demons he’s eager to detail, debut memoirist Itzkoff lays bare the torments of his young, post-collegiate life as an aspiring editor in the testosterone-scented offices of men’s magazine publishers.

With his seething resentment, sexual desperation, and near-crippling insecurity, the author bears more than a passing resemblance to Philip Roth’s Portnoy. This time, however, our narrator’s Jewish mother is basically off the hook; it’s Dad who is the ultimate source of their son’s sufferings. Itzkoff bookends his coming-of-age tale with portraits of his father, a furrier who drowned disappointments in cocaine. When the story opens after Dave’s graduation from Princeton in 1998, Dad has retired to the New Jersey suburbs to drift around the house in his underwear; at its close, he has nearly died of a drug overdose. Meanwhile, his son, determined not to be this kind of man, is bouncing around the Manhattan offices of men’s magazines, first at Details, then Maxim. Working for these publications is less fulfilling that Itzkoff had imagined, however; full of loathing for himself and everyone around him, the author portrays his professional milieu as a waking nightmare of puerile torment and emotional distance. Offering plenty of dirt for those interested in four-year-old magazine gossip, the author isn’t shy about describing the debauchery and flawed human relations that were the rule in his places of employ. In fact, he isn’t shy about describing anything, including his difficulties with relationships, his various bouts of drug use, and the very specific details of an unpleasant session with a prostitute. At every possible moment, Itzkoff shoehorns in self-deprecating Jewish slurs, mentioning his high-school nose job at least twice. Taken as a whole, however, the author’s tale has a not-unappealing nervous energy, and his jumpy, edgy prose will probably keep readers turning the pages.

Surprisingly readable, despite the author’s abundant disgust for himself and others.

Pub Date: Sept. 14, 2004

ISBN: 1-4000-6113-X

Page Count: 288

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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