An absorbing, challenging work of ``bottom-up'' history that gives a voice to the unlettered and the disempowered. Blackbourn (History/Harvard) transforms an apparently minor historical curiosity, an instance at best of religious pathology, into a fascinating, surprising, and moving picture of cultural turmoil in the new German nation-state. The event in question is the alleged visitation of the Virgin Mary to three schoolchildren in the remote Rhineland village of Marpingen in 1876, and the response thereto. With sure control of his material and an archaeologist's reconstructive gift, Blackbourn deftly reveals the Marpingen events as a tangled but telling intersection of multiple cultural currents: religious strife, both interdenominational and between competing tendencies in the Catholic hierarchy itself; local communal rivalry; class tensions; grassroots populist activism; Bismarck's ongoing Kulturkampf (``cultural war'') against the Catholic Church; and the upheavals in work and family life provoked by the confrontation of a traditional rural culture with the very different rhythms of a 19th-century industrial state. Blackbourn brushes against the grain of readers' expectations: He encourages us to regard the widespread popular support of the visionaries not as superstitious medieval credulity but as a sophisticated mobilization of deep-rooted cultural resources by a community beset by social dislocation. Conversely, the ``progressive'' modernizing forces of state authority, whose response to the apparitions varied from patrician condescension to outright contempt or suspicion, stand revealed as at least as self- righteous and blinkered (by a faith in secular rationality often as unyielding as religious dogma) as the peasants they undertook to control. The Church itself is riven and ambivalent, its sponsorship of the cult of the Madonna at odds with the increasingly authoritarian bent of the 19th-century Vatican. This dense, authoritative book demands and deserves an attentive reading and offers rewards few recent historical narratives can match.
Pub Date: Sept. 15, 1994
ISBN: 0-679-41843-1
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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