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PASADENA

Lovely, but as exhausting as exhaustive.

An epic tale spanning the history of a WWI–era southern California that’s later lost to the flash of Hollywood and technoburbs.

“[Nearly] everyone wanted to tell a story,” Ebershoff (The Danish Girl, 2000, etc.) tells us, “forging the past and inventing the details along the way.” A generation after the main action of the story, real-estate developer Andrew Blackwood stumbles on some California property, Condor’s Nest Ranch in Baden-Baden-by-the-Sea, in a fanciful world between San Diego and Los Angeles. Through his dealings to acquire the place, Blackwood comes upon its amazing history: it had fallen into the hands of a man named Bruder via a dying man’s will written on a battlefield in the forests of WWI France. When Bruder arrives to make his claim, it’s not clear whether the young and lovely Linda is part of the deal. The two fall in love despite the odd transaction and are soon frolicking through suggestive ice plant, discovering dead bodies on the beach, and digging up arrowheads. But Linda is “a dangerous girl” and Bruder “an unknowable man,” and their fates aren’t so easy either. A mudslide buries both, and though the lovers manage to escape, the experience splits them up. Four years pass. When Linda returns, the love is still there, but so is Rosa, the ripe child of a maid now dead. While Bruder breaks for Rosa, Linda finds herself drawn to Willis, who might have owned Condor’s Nest if not for that battlefield deal so long ago. Bruder is an avid reader and won’t talk about the war, but could he really be capable of murder? And why does Rosa, of all people, want a private meeting with Linda in Central Park? Will Linda’s testimony send an innocent man to San Quentin? And will the tale ultimately change developer Blackwood’s mind about turning the property into prefab shacks for the middle class?

Lovely, but as exhausting as exhaustive.

Pub Date: July 16, 2002

ISBN: 0-375-50456-7

Page Count: 480

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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