by David Goodner ; illustrated by Louis Thomas ‧ RELEASE DATE: July 23, 2019
Ginny is becoming a symbol of toddler power.
The lovable, green-skinned imp has returned following her introduction in Ginny Goblin Is Not Allowed to Open This Box (2018).
The first page establishes the fact that Ginny Goblin loves animals and that goats are among her favorites. The grinning, big-eyed toddler stands atop a similarly featured goat. The page turn reveals why goats are not good house pets: Five comical goats are wreaking havoc in a dining room. The fun begins when the narrator naively says, “Maybe if we help Ginny Goblin find a pet, she’ll stop trying to herd goats through the house.” The art perfectly complements the imaginative, absurd text, as Ginny—defying authority—tries to acquire a pet through such means as a bear trap, military tank, submarine, and rocket ship. No hermit crab or bunny for her! Just enough shiver accompanies the text and comical art’s introductions to such creatures as a kraken, a dragon, a basilisk, and a space monster. Even as Ginny is depicted doing the things she is not allowed to do, the text poses the frightful consequences: “If Ginny took her basilisk to school for show-and-tell, her whole class would turn into statues.” The text further accommodates little ones by frequently invoking the title; its tongue-in-cheek humor and clever wordplay will keep more sophisticated readers engaged. The surprise ending will elicit both a smile and a wink from all.
Ginny is becoming a symbol of toddler power. (Picture book. 3-7)Pub Date: July 23, 2019
ISBN: 978-0-544-76416-3
Page Count: 40
Publisher: HMH Books
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
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by David Goodner ; illustrated by Andrea Tsurumi
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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