A classic, full of sharp descriptions of life in Palestine and Israel today, urgent in its insistence that peace can come...
A provocative antiwar novel by one of Israel’s best-known writers (See Under: Love, 1989, etc.).
If Cormac McCarthy’s The Road is a post-apocalyptic journey across a ruined landscape, Grossman’s latest describes a walkabout across forbidding country that is ever in danger of being consumed by war. Ora and Avram meet in a hospital at the time of the Six-Day War, speaking back and forth across fever dreams: “We’re the last ones left from the plague,” says Ora, still not sure why sirens and artillery shells are the music of their night. Avram disappears into the maw of another war, when, captured and tortured, he returns unable to connect with the past and the people he has known and loved; Ora, for her part, marries a mutual friend and has a son, Ofer, who, decades later, is called up to serve in yet another war. Unable to bear the thought of losing her boy to the unending conflict—a loss that Grossman himself suffered as he was writing the book—Ora leaves home, locates Avram in his Galilean hermitage, and sets out on a journey (“which she was still calling a hike,” at least at the beginning) crisscrossing Israel with two purposes in mind: to weave a protective armor of words around Ofer, and to keep herself one step ahead of the soldiers who inevitably will come to her door to announce that he has died. Grossman’s characters define the limits of human endurance and of language. Through conversation that takes them across generations and ethnicities, each discovers something about the other, and each, it seems, becomes less inclined to accept the old way of accomplishing aims through violence and terror, through “the many and varied dangers from which they could no longer protect their sons.”
A classic, full of sharp descriptions of life in Palestine and Israel today, urgent in its insistence that peace can come through sharing stories and the time required to tell them.Pub Date: Sept. 21, 2010
ISBN: 978-0-307-59297-2
Page Count: 592
Publisher: Knopf
Review Posted Online: July 21, 2010
Kirkus Reviews Issue: Aug. 15, 2010
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BOOK REVIEW
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PERSPECTIVES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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