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VODKA SHOT, PICKLE CHASER

A TRUE STORY OF RISK, CORRUPTION, AND SELF-DISCOVERY AMID THE COLLAPSE OF THE SOVIET UNION

A personal look at the disintegration of the Soviet Union, experienced through the eyes of an occasionally callow, but...

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An affecting coming-of-age memoir looking at life in the Soviet Union at a time of political and social change by American debut author Kalis.

Recent college graduate David found himself at loose ends. He knew he wanted to use his degree in Soviet East European Studies but wasn’t sure how. He embarked on a 30-day trip to the Soviet Union, hoping to improve his language skills, and ended up staying two and a half years, only returning to the United States when he had completed a voyage of self-discovery. On his very first day in Moscow in 1991, he found himself on a Soviet tank photographing a political uprising; two years later, he repeated the experience at a demonstration at the Bely Dom, the Russian White House. However, the second time, after being shot at, he underwent a watershed moment, realizing that it was time to leave the city he had made his home. Although small in stature, Kalis is big in chutzpah: He talked his way into a job, met his hero Gorbachev, and stood up to the Russian Mafia (vodka helped). Kalis’ forthrightness allows readers to see the flaws in his younger self, most of them attributable to the foibles of youth. However, despite his immaturity, he possesses a moral code, which prevented him from taking advantage of the prevalence of prostitution and pornography, preferring instead to meet partners the old-fashioned way. When Kalis finally visited the village of his grandfather’s birth, in Ukraine, he achieved a deeper understanding of his heritage and the losses his Jewish grandparents experienced during the Holocaust and pogroms. The scenes in Ukraine, in which he feels a deep connection with the people and his own faith, are particularly poignant in the context of recent events in the region. While Kalis doesn’t provide much historical background, his first-person account of life in the Soviet Union at the tail end of the Cold War provides depth that history texts cannot. Well-written and absorbing, his memoir will appeal to general readers as well as those with an interest in Eastern Europe.

A personal look at the disintegration of the Soviet Union, experienced through the eyes of an occasionally callow, but always likable, young man.

Pub Date: March 5, 2014

ISBN: 978-0991230204

Page Count: 256

Publisher: Forward Motion Publishing

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 1, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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