by David Kinney ‧ RELEASE DATE: May 13, 2014
Alternately funny, intriguing and shocking.
Perhaps the only thing more inscrutable than Bob Dylan is the cavalcade of misfits and muckrakers that parade through this earnest exploration of the artist’s even more curious brand of devotees.
Bob Zimmerman (b. 1941) started out his career as a rabid fan. So enamored was he of his boyhood idol Woody Guthrie that he tracked down the collapsing star all the way to his hospital bed, plying him for answers that the sick man could not possibly provide. Strange then, that so much of Dylan’s remarkable career has been saddled with the same kind of futilely obsessive adulation. Pulitzer Prize–winning journalist Kinney (The Big One: An Island, an Obsession, and the Furious Pursuit of a Great Fish, 2009) mixes a lighthearted approach with the serious business of trying to figure out just what makes Dylan’s legions of followers tick. All of the most outrageous characters are here: the searchers, the collectors, the tapers, the pilgrims and the many who are pissed off at the artist. Of the whole bunch, however, those who came to believe that Dylan had somehow double-crossed them over the years are the most confounding. Either owing to his evolution as an artist or as a person, the depth of betrayal that he has inadvertently incited in these people—sometimes by going electric, at other times going to church—is truly fascinating. Of course, the expert analysis of some of Dylan’s most manic disciples can actually be yet another way of further scrutinizing one of the most already scrutinized figures in American music. Can even more be said about an avowed cypher by looking at the rather uncanny relationship with his fans? In this enjoyable book, longtime followers may be surprised to find out the answer is yes.
Alternately funny, intriguing and shocking.Pub Date: May 13, 2014
ISBN: 978-1-4516-2692-6
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 5, 2014
Kirkus Reviews Issue: May 15, 2014
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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