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WORLDCHANGING 101

CHALLENGING THE MYTH OF POWERLESSNESS

Successfully illustrates that breaking things down into manageable pieces and making even the smallest effort can have a...

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An examination of the widely accepted belief that everyday citizens are powerless to effect positive change over the world’s issues.

With so many global crises, it can seem dishearteningly unlikely that anyone of modest means can effect meaningful change. LaMotte, author and musician, who has a master’s degree in International Studies Peace and Conflict Resolution, notes that as a culture, “we have come to a place where we equate cynicism with realism, and hope with naiveté.” While he does allow there is the alternative—naïve optimism—he asserts that living in hope isn’t naïve; he recommends “changing” not “fixing.” Additionally, while LaMotte doesn’t deny that there are times when larger efforts and sacrifices are necessary, he shows that, often, it’s the little things that count. Among other references, LaMotte compares the “Hero Narrative vs Movement Narrative” to illustrate how the Hero Narrative (“an extraordinary individual takes dramatic action in a moment of crisis”) doesn’t implement large-scale change nearly as effectively as the Movement Narrative (“many people taking small actions that contribute to a large shift”). Similar to the way a musician seems to suddenly appear with a hit record, few people realize that famous icons—Rosa Parks, Nelson Mandela and the Rev. Martin Luther King Jr.—had actually been working toward their goals for many years. For example, Rosa Parks’ bus incident wasn’t her first act of civil disobedience. While there are high-profile, outspoken people featured in the book, LaMotte makes a solid point that one doesn’t have to be a “radical activist” to make an impact. It’s not always the loudest voice doing all the work or making headway; rather, it’s also possible to support a cause and help effect change from behind the scenes. After many thoughtful, thought-provoking observations, as well as personal stories and relevant examples, LaMotte includes a section called “Pick One” that helps readers choose a cause and take the first steps in implementing a change.

Successfully illustrates that breaking things down into manageable pieces and making even the smallest effort can have a collective positive impact.

Pub Date: Oct. 12, 2014

ISBN: 978-0990650003

Page Count: 240

Publisher: Dryad Press

Review Posted Online: March 11, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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