by David Maraniss ‧ RELEASE DATE: Jan. 12, 2010
Regardless of the level of fame of his subjects, Maraniss’s reportage is always sharp and sympathetic.
A wide-ranging mix of stories from the longtime Washington Post journalist, who blends the political and personal, the uplifting and tragic.
Rare is the daily-newspaper reporter who can produce virtuoso long-form work on deadline, but Maraniss (Rome 1960: The Summer Olympics that Stirred the World, 2008, etc.) presents two exemplars of the form. His feature on 9/11 heartbreakingly recalls the events from multiple perspectives, deftly shifting among quotidian detail (such as a Britney Spears photo taped to the computer of a World Trade Center worker), graphic imagery and emotional dialogue. Also outstanding is his story on Seung Hui Cho’s mass murder on the campus of Virginia Tech in 2007, which helped earn the Post a Pulitzer Prize. None of the other pieces quite capture the intense, in-the-moment feel of those stories, but Maraniss drills deep into his subject matter. He’s also an astute judge of the most interesting angle from which to start his investigations. Focusing on the life of Barack Obama’s mother, for instance, reveals plenty about the president’s character. In 1992, Maraniss reported on Bill Clinton by telling the story of the rough-and-tumble Arkansas town where he grew up, presaging the demeanor and shortcomings of his presidency. The bulk of the collection comes from the author’s Post reporting, though excerpts from his books are included as well, including an expertly observed chapter on the famous 1967 “Ice Bowl” between the Green Bay Packers and Dallas Cowboys, drawn from his biography of Vince Lombardi, When Pride Still Mattered. The book also features three penetrating essays about the last days of his sister, his uncle and his father. In the last of them, “Dad and Ron Santo,” Maraniss merges his love of journalism and sports, focused on the image of his father listening to the former Cubs star call a game on the radio.
Regardless of the level of fame of his subjects, Maraniss’s reportage is always sharp and sympathetic.Pub Date: Jan. 12, 2010
ISBN: 978-1-4391-6002-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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