Intense, sensuous, lyrical, shaped by the sensibility of a poet and the eye of a farmer.
California farmer/memoirist Masumoto (Harvest Son, 1998, etc.) meanders through his fields and memories by way of the five senses.
As agriculture increasingly focuses on big business and the bottom line, Masumoto has become an eloquent voice for that increasingly rare breed, the family farmer. Working the land his parents worked before him, his life revolves around the production of Sun Crest peaches and writing evocative books about the process. Here, the author leads a tactile tour of the farm over time. Vivid passages introduce each of the book's five sections, as Masumoto recalls the smell of wet concrete, the taste of a stringy peach, and all the silences of the country he grew up in. As a member of a Japanese farming community, his experiences are both familiar and new: he recalls spring picnic menus that included sushi and bento boxes, the impact of racist land-ownership laws on his family, and his inability to communicate with his non-English-speaking grandmother during the many long hours they worked the fields side by side. Masumoto is particularly adept at conveying the junction at which tradition and modernity meet, describing the difficulties of choosing how to sticker his fruit and of following it to market, or portraying a visit by ten food editors from national magazines who “found it hard to slow their stride” while touring the farm and even harder to select their own peaches to be delivered overnight to their offices across the country. Most enchanting are his brief essays on family members. “Scent of My Father,” which reports on Dad's tendency to smell of cut grass, mud, and sweat, pays moving homage to the ties of earth and blood.
Intense, sensuous, lyrical, shaped by the sensibility of a poet and the eye of a farmer.Pub Date: Jan. 1, 2003
ISBN: 0-393-01960-8
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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