A grim, moving thriller from the prolific Poyer (The Only Thing to Fear, 1995, etc.), who here returns to the aptly named Hemlock County. Hemlock, in a forgotten corner of Pennsylvania, is sinking back into wilderness after a century of rapacious exploitation. The coal, oil, and gas deposits that once fueled the economy are gone, leaving poisoned landscapes and a dwindling, embittered population. Among them is W.T. ``Racks'' Halvorsen, a legendary hunter. In Poyer's earlier Hemlock County novel, Winter in the Heart (1993), the elderly Halvorsen figured as one of a group who turned to violence to stop a local businessman from illegally dumping quantities of toxic waste in the county. This time out, Halvorsen is on his own as he deals with an equally lethal conspiracy. Walking in the woods, he comes upon two men methodically beating a third to death. They flee with the body, but Halvorsen, angered by what he has seen, looking for anything that will dissolve some of the grief he still feels for his wife's death three years ago, tries to track them down. His search leads him into the heart of a supposedly uninhabited wilderness area, where he finds a kidnapped girl and an ambitious plot to steal quantities of natural gas. Rescuing the girl, he flees deeper into the wilderness to elude the killers. Poyer hits his stride with Halvorsen's ingenious and convincing use of wilderness skills to outwit his pursuers in a long midwinter duel that's tense, vivid, and believable. Both Halvorsen and the resilient girl he has rescued are complex, convincing figures. And the outcome is satisfying without seeming either forced or melodramatic. A subtle, highly original blend of eco-thriller and novel of character. Halvorsen, bitter, almost overcome by age and regret, very much a man of an earlier time, lingers in the mind.
Pub Date: April 1, 1996
ISBN: 0-312-85601-6
Page Count: 352
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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