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GO TO SLEEP, LITTLE CREEP

Two messages come through loud and clear: caregivers’ love for their children and, in the words of the ghost parent: “I’ll...

A bedtime book for all the nocturnal ghouls, ghosts, and goblins.

Structured identically to the many twee books about bedtime for human children, this is designed to do the same job: get little ones to sleep. Just as human children want one more cuddle, snack, and book, so too do these monsters’ offspring. Godzilla’s diapered child wants to keep stomping block cities, and it’s a struggle to get the bigfoot child’s toes scrubbed, face brushed, and pajamas on. Then there are those pesky fears that parents need to banish (imagined terrors include a unicorn and a cute kitten). The beauty of Quinn’s text, though (the vampire dad’s request for one more bite and a couple of bobbled rhymes excepted), is that this will work on human children as well. Indeed, some of the typical twee has made it to these pages, demonstrating that monster caregivers are just as sentimental as human ones: “A little wonder, yes, that’s true. / A miracle, uniquely you.” Spires’ illustrations mix the tender with the slightly macabre (the zombie child’s stuffed animal is missing its lower half), and the palette is dark and subdued to match the time before the dawn.

Two messages come through loud and clear: caregivers’ love for their children and, in the words of the ghost parent: “I’ll always love you, to the grave. / But frankly, dear, it’s sleep I crave.” Truer words were never spoken. (Picture book. 3-7)

Pub Date: July 24, 2018

ISBN: 978-1-101-93944-4

Page Count: 32

Publisher: Crown

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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