An honest and heartbreaking journey toward healing.
When Kacey left—by committing suicide—she abandoned her best friend, Sara.
Sara was “Sticks” and Kacey, “Stones,” and they planned to travel the world together, share the same dorm room, and raise their children in houses side by side. But when Kacey decided to take her own life, Sara is left behind to find her way through the grief and re-envision a future without Kacey in it. Told through a collection of journal entries, written as letters from Sara to her dead best friend, Green’s raw and achingly honest debut does a masterful job capturing the intense spectrum of emotions felt by a teenage girl trying to make sense of the senseless. From disbelief to guilt to rage, Sara’s entries are intimate and sincere, and readers will have a difficult time reminding themselves that they are reading a work of fiction as opposed to the secret diary of a close friend. While the bulk of Sara’s entries focus on her feelings about Kacey, it’s also worth noting that she spends a considerable amount of time wrestling with her frustration with the school administration for refusing to acknowledge what Kacey did for fear of somehow glorifying it. Her insistence that the community can only heal when the truth is openly addressed is a valuable lesson for readers touched by teen suicide.
An honest and heartbreaking journey toward healing. (Fiction. 12-16)Pub Date: Sept. 1, 2015
ISBN: 978-0-88995-523-3
Page Count: 228
Publisher: Red Deer Press
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
A smart, timely outing.
Two teens connect through a mysterious podcast in this sophomore effort by British author Oseman (Solitaire, 2015).
Frances Janvier is a 17-year-old British-Ethiopian head girl who is so driven to get into Cambridge that she mostly forgoes friendships for schoolwork. Her only self-indulgence is listening to and creating fan art for the podcast Universe City, “a…show about a suit-wearing student detective looking for a way to escape a sci-fi, monster-infested university.” Aled Last is a quiet white boy who identifies as “partly asexual.” When Frances discovers that Aled is the secret creator of Universe City, the two embark on a passionate, platonic relationship based on their joint love of pop culture. Their bond is complicated by Aled’s controlling mother and by Frances’ previous crush on Aled’s twin sister, Carys, who ran away last year and disappeared. When Aled’s identity is accidently leaked to the Universe City fandom, he severs his relationship with Frances, leaving her questioning her Cambridge goals and determined to win back his affection, no matter what the cost. Frances’ narration is keenly intelligent; she takes mordant pleasure in using an Indian friend’s ID to get into a club despite the fact they look nothing alike: “Gotta love white people.” Though the social-media–suffused plot occasionally lags, the main characters’ realistic relationship accurately depicts current issues of gender, race, and class.
A smart, timely outing. (Fiction. 12-16)Pub Date: March 28, 2017
ISBN: 978-0-06-233571-5
Page Count: 496
Publisher: HarperTeen
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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