This Hanukkah, Isobel stays with her Mexican Aunt Luisa and discovers a new way to celebrate the festival of the lights. In addition to lighting the hanukkiah (menorah) and eating the traditional latkes and jelly doughnuts, she learns some of the Sephardic or Spanish Jewish customs for the holiday. Aunt Luisa teaches Isobel to say “Feliz Januca” and to sing the dreidel song in Spanish. When Aunt Luisa’s three girlfriends arrive, it is the promise of celebrating the Hanukkah moon with the breaking of a dreidel-shaped piñata that intrigues Isobel. Together they combine the welcoming of Rosh Hodesh, the first day of the new month, with the appearance of “la luna nueve” (the new moon). Rosh Hodesh is traditionally celebrated by girls and women each month, and the new moon that appears during the Hanukkah week is especially commemorated by Jews in Latin America. Mosz’s whimsical Chagall-style paintings of elongated figures with large expressive almond-shaped eyes in combinations of purple and gold hues add a Latino flavor to this gentle and warmhearted story offering a new perspective on an age-old Jewish holiday. (author’s note, glossary) (Picture book. 5-8)
Pub Date: Sept. 1, 2007
ISBN: 978-1-58013-244-2
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
At her best, Rylant’s (The Ticky-Tacky Doll, below, etc.) sweetness and sentiment fills the heart; in this outing, however, sentimentality reigns and the end result is pretty gooey. Pandora keeps a lighthouse: her destiny is to protect ships at sea. She’s lonely, but loves her work. She rescues Seabold and heals his broken leg, and he stays on to mend his shipwrecked boat. This wouldn’t be so bad but Pandora’s a cat and Seabold a dog, although they are anthropomorphized to the max. Then the duo rescue three siblings—mice!—and make a family together, although Rylant is careful to note that Pandora and Seabold each have their own room. Choosing what you love, caring for others, making a family out of love, it is all very well, but this capsizes into silliness. Formatted to look like the start of a new series. Oh, dear. (Fiction. 6-8)
Pub Date: Sept. 1, 2002
ISBN: 0-689-84880-3
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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