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SWEET CLARA AND THE FREEDOM QUILT

When Sweet Clara, not yet 12, is taken from her mother and sent from North Farm to Home Plantation as a field hand, she's put in the care of ``Aunt Rachel,'' not ``my for-real blood aunt, but she did her best.'' Fearing for Clara's health, Rachel teaches her to sew and is lucky enough to get her a place in the Big House, where Clara listens, learns, and saves scraps that she eventually pieces into a map-quilt showing the way to the Ohio and freedom. The troubles Clara escapes are so muted here that her accomplishment seems almost too easy; in a straightforward narrative flavored with dialect, she mentions that recaptured slaves might be beaten and describes her grief at leaving her mother, but Ransome's moving depiction of the hug when the two are reunited on the way north is a more poignant clue to the pain of their separation. What's emphasized are Clara's resolve and creativity and the accomplishment of winning her freedom; in the same vein, Ransome depicts the characters as sturdy, purposeful, and mutually supportive and sets them in colorful landscapes eloquently proclaiming the earth's beauty. A well-told, handsomely illustrated story that effectively dramatizes young Clara's perseverance and courage. (Young Reader/Picture book. 5- 10)

Pub Date: Feb. 1, 1993

ISBN: 0-679-82311-5

Page Count: 40

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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THE CREATURE OF THE PINES

From the Unicorn Rescue Society series , Vol. 1

Fantasy training wheels for chapter-book readers.

Elliot’s first day of school turns out to be more than he bargained for.

Elliot Eisner—skinny and pale with curly brown hair—is a bit nervous about being the new kid. Thankfully, he hits it off with fellow new student, “punk rock”–looking Uchenna Devereaux, a black girl with twists (though they actually look like dreads in Aly’s illustrations). On a first-day field trip to New Jersey’s Pine Barrens, the pair investigates a noise in the trees. The cause? A Jersey Devil: a blue-furred, red-bellied and -winged mythical creature that looks like “a tiny dragon” with cloven hooves, like a deer’s, on its hind feet. Unwittingly, the duo bonds with the creature by feeding it, and it later follows them back to the bus. Unsurprisingly, they lose the creature (which they alternately nickname Jersey and Bonechewer), which forces them to go to their intimidating, decidedly odd teacher, Peruvian Professor Fauna, for help in recovering it. The book closes with Professor Fauna revealing the truth—he heads a secret organization committed to protecting mythical creatures—and inviting the children to join, a neat setup for what is obviously intended to be a series. The predictable plot is geared to newly independent readers who are not yet ready for the usual heft of contemporary fantasies. A brief history lesson given by a mixed-race associate of Fauna’s in which she compares herself to the American “melting pot” manages to come across as simultaneously corrective and appropriative.

Fantasy training wheels for chapter-book readers. (Fantasy. 7-10)

Pub Date: April 10, 2018

ISBN: 978-0-7352-3170-2

Page Count: 192

Publisher: Dutton

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

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