Open Bearnard’s book for an alternative concept of bravery with humor, sweetness, and friendship at the core.
Bearnard gets the chance to be in a book and must embrace his sense of self in the process.
“I have always wanted to be in a book!” declares Bearnard as he reads his invitation from the Queen of Storybook Land. The anthropomorphic (though unclothed) bear imagines his story being read by children (with diverse skin tones) at bedtime, in school, or on the playground. Illustrator Saburi’s chunky black outlines couple with cozy pink, blue, and brown fills, making for relaxing illustrations that nevertheless pop. Most spreads contain a gentle floral wallpaper pattern in the background, building a homey feel, bolstered by bold typeface reminiscent of handwriting. Bearnard brainstorms with duck friend Gertie about the possibility of being a knight, an astronaut, or “Super Bear!” in the storybook. This provides an entry point for caregivers to engage with children about what they would be if starring in a book. Bearnard’s confidence waffles as he tries to emulate classic bear stories without success. Gertie guides Bearnard to see himself as brave and worthy just by being himself. Underwood’s social-emotional narrative and the action-oriented illustrations allow for layered reading—if a child is not ready to discuss what might make them brave, they will most certainly be entertained by the imaginative adventures of Bearnard and Gertie.
Open Bearnard’s book for an alternative concept of bravery with humor, sweetness, and friendship at the core. (Picture book. 4-7)Pub Date: Feb. 5, 2019
ISBN: 978-1-62779-757-3
Page Count: 32
Publisher: Godwin Books
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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